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Irix Full Frame Camera Lens Firefly 15mm f/2.4 Wide Angle for Nikon F Mount Black
Camera Lenses

Irix Full Frame Camera Lens Firefly 15mm f/2.4 Wide Angle for Nikon F Mount Black

The most versatile wide-angle lens on the market.

Excellent quality from corner to corner.

Front filter thread, rear filter slot.

Fast f/2.4 aperture.

Well-controlled, low distortion: 2%.

Easy and...

The most versatile wide-angle lens on the market.

Excellent quality from corner to corner.

Front filter thread, rear filter slot.

Fast f/2.4 aperture.

Well-controlled, low distortion: 2%.

Easy and precise focusing with innovative infinity click feature.

Creative Tool

The Irix 15mm f/2.4 lens is ideal for any landscape photographer, professional or amateur,...

See full description See full description

  • Type

    Wide Angle

    Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Focal Length

    Lenses with fixed optics are usually of higher quality than a corresponding zoom lens at the same focal distance. They are also called "fixed" or "prime" lenses.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • See all
What if it breaks?

You have at least a 2-year warranty. Contact us by phone and we will immediately take care of the repair, replacement or refund of your money, completely free of charge.

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Product report

Description

Description

The most versatile wide-angle lens on the market.

Excellent quality from corner to corner.

Front filter thread, rear filter slot.

Fast f/2.4 aperture.

Well-controlled, low distortion: 2%.

Easy and precise focusing with innovative infinity click feature.

Creative Tool

The Irix 15mm f/2.4 lens is ideal for any landscape photographer, professional or amateur, who wants to expand their focus range.

This ultra wide-angle lens is designed for full-frame (35mm) cameras, available in Nikon F, Canon EF, and Pentax K mounts.

With a 110-degree field of view, it can reveal an entirely new type of photography, offering clear and detailed images.

Filter Compatibility

The Irix 15mm f/2.4 lens offers the ability to use both classic 95mm filters and square filters via the Irix Edge IFH-100 holder. The filters you can use include:

  • UV & Protector – protects the lens from damage
  • Glossy Polarizer – reduces unwanted reflections and increases photo clarity
  • Neutral Density – reduces the amount of light reaching the sensor, allowing for creative motion shots
  • Night Light – limits light from cities, offering detailed night photos without yellowish haze

Perfect for Night Photography

The Irix 15mm f/2.4 lens is indispensable for any astrophotographer, with a fast f/2.4 aperture that allows for stunning night sky images.

Ready for All Conditions

Its sealing technology protects against moisture, dust, and sand, while its dimensions remain stable during focusing, ensuring a clean camera sensor.

Optics that Guarantee Clear Images

The lens includes 16 elements in 10 groups, with excellent resolution and minimal distortions (2%). The minimum focusing distance is 28cm, with 9 rounded aperture blades for smooth bokeh.

One Lens – Two Versions

The Irix 15mm f/2.4 is available in two versions: Firefly and Blackstone.

Firefly – Lightweight composite design with a rubber focus ring, accompanied by a soft case.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Wide Angle

Type

Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Focal Length

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Focal Length
Lenses with fixed optics are usually of higher quality than a corresponding zoom lens at the same focal distance. They are also called "fixed" or "prime" lenses.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.4

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
95 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length
15 mm

Focal Length

It is the distance that the light rays need to travel to reach the focal point, that is, the lens sensor.
The smaller the focal distance, the larger the angle of view for the photograph and therefore the lens can capture more of what is in front of us.
Weight
581 gr
Mount
Nikon F

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
No

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (1)

Reviews

4.0
1
4.0
Review this product
  1. 5 stars
    0
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Διονύσης Ελευθεριαδης
    4
    10 out of 10 members found this review helpful
    Διονύσης Ελευθεριαδης

    Excellent ultra-wide-angle lens.. amazing colors, minimal distortion, minimal vignetting.. it is fully manual so don't expect autofocus.. I don't need it so it doesn't matter to me.. it has a nice click at infinity and it is at infinity.. it has a hyperfocal scale and focus lock.. minus one star because it has a huge diameter (95mm) which makes filters prohibitive.. but it can take gelatin ND filters on the back.. Nice feature for me. It's worth its money, especially for astrophotography where it is amazing.. right after that, of course, there is the Sigma which is in a different league.

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Autofocus (AF) speed
    Did you find this review helpful?
  • Διονύσης Ελευθεριαδης
    4
    Διονύσης Ελευθεριαδης

    Excellent ultra-wide-angle lens.. amazing colors, minimal distortion, minimal vignetting.. it is fully manual so don't expect autofocus.. I don't need it so it doesn't matter to me.. it has a nice click at infinity and it is at infinity.. it has a hyperfocal scale and focus lock.. minus one star because it has a huge diameter (95mm) which makes filters prohibitive.. but it can take gelatin ND filters on the back.. Nice feature for me. It's worth its money, especially for astrophotography where it is amazing.. right after that, of course, there is the Sigma which is in a different league.

    Translated from Greek ·
    10
  • See all
Questions

Questions

Do you have a question about the product?

2 users have this product and can help you

Ask for the product

Description & Specifications

The most versatile wide-angle lens on the market.

Excellent quality from corner to corner.

Front filter thread, rear filter slot.

Fast f/2.4 aperture.

Well-controlled, low distortion: 2%.

Easy and precise focusing with innovative infinity click feature.

Creative Tool

The Irix 15mm f/2.4 lens is ideal for any landscape photographer, professional or amateur, who wants to expand their focus range.

This ultra wide-angle lens is designed for full-frame (35mm) cameras, available in Nikon F, Canon EF, and Pentax K mounts.

With a 110-degree field of view, it can reveal an entirely new type of photography, offering clear and detailed images.

Filter Compatibility

The Irix 15mm f/2.4 lens offers the ability to use both classic 95mm filters and square filters via the Irix Edge IFH-100 holder. The filters you can use include:

  • UV & Protector – protects the lens from damage
  • Glossy Polarizer – reduces unwanted reflections and increases photo clarity
  • Neutral Density – reduces the amount of light reaching the sensor, allowing for creative motion shots
  • Night Light – limits light from cities, offering detailed night photos without yellowish haze

Perfect for Night Photography

The Irix 15mm f/2.4 lens is indispensable for any astrophotographer, with a fast f/2.4 aperture that allows for stunning night sky images.

Ready for All Conditions

Its sealing technology protects against moisture, dust, and sand, while its dimensions remain stable during focusing, ensuring a clean camera sensor.

Optics that Guarantee Clear Images

The lens includes 16 elements in 10 groups, with excellent resolution and minimal distortions (2%). The minimum focusing distance is 28cm, with 9 rounded aperture blades for smooth bokeh.

One Lens – Two Versions

The Irix 15mm f/2.4 is available in two versions: Firefly and Blackstone.

Firefly – Lightweight composite design with a rubber focus ring, accompanied by a soft case.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Wide Angle

Type

Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Focal Length

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Focal Length
Lenses with fixed optics are usually of higher quality than a corresponding zoom lens at the same focal distance. They are also called "fixed" or "prime" lenses.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.4

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
95 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length
15 mm

Focal Length

It is the distance that the light rays need to travel to reach the focal point, that is, the lens sensor.
The smaller the focal distance, the larger the angle of view for the photograph and therefore the lens can capture more of what is in front of us.
Weight
581 gr
Mount
Nikon F

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
No

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (1)

4.0
1
4.0
Review this product
  1. 5 stars
    0
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Διονύσης Ελευθεριαδης
    4
    10 out of 10 members found this review helpful
    Διονύσης Ελευθεριαδης

    Excellent ultra-wide-angle lens.. amazing colors, minimal distortion, minimal vignetting.. it is fully manual so don't expect autofocus.. I don't need it so it doesn't matter to me.. it has a nice click at infinity and it is at infinity.. it has a hyperfocal scale and focus lock.. minus one star because it has a huge diameter (95mm) which makes filters prohibitive.. but it can take gelatin ND filters on the back.. Nice feature for me. It's worth its money, especially for astrophotography where it is amazing.. right after that, of course, there is the Sigma which is in a different league.

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Autofocus (AF) speed
    Did you find this review helpful?
  • Διονύσης Ελευθεριαδης
    4
    Διονύσης Ελευθεριαδης

    Excellent ultra-wide-angle lens.. amazing colors, minimal distortion, minimal vignetting.. it is fully manual so don't expect autofocus.. I don't need it so it doesn't matter to me.. it has a nice click at infinity and it is at infinity.. it has a hyperfocal scale and focus lock.. minus one star because it has a huge diameter (95mm) which makes filters prohibitive.. but it can take gelatin ND filters on the back.. Nice feature for me. It's worth its money, especially for astrophotography where it is amazing.. right after that, of course, there is the Sigma which is in a different league.

    Translated from Greek ·
    10
  • See all
508,00 €
Free   shipping cost