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Tokina Full Frame Camera Lens AT-X 24-70mm f/2.8 PRO FX Standard Zoom for Nikon F Mount Black
Camera Lenses

Tokina Full Frame Camera Lens AT-X 24-70mm f/2.8 PRO FX Standard Zoom for Nikon F Mount Black

That is:

  • F Mount/FX Format Lens
  • Aperture Range: f/2.8 to f/22
  • Three Glass Molded Aspherical Elements
  • Three SD Super-Low Dispersion Elements
  • Special Multi-Coatings
  • AF Silent-Drive Module System
  • ...

That is:

  • F Mount/FX Format Lens
  • Aperture Range: f/2.8 to f/22
  • Three Glass Molded Aspherical Elements
  • Three SD Super-Low Dispersion Elements
  • Special Multi-Coatings
  • AF Silent-Drive Module System
  • Internal Focusing; One-Touch Focus Mechanism
  • Nine-Blade Diaphragm

The Tokina AT-X 24-70mm f/2.8 PRO FX lens is ideal for a variety of photographic genres such as...

See full description See full description

  • Type

    Standard Zoom

    The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
The product is not available at Skroutz Last updated: 2 months ago
Product report

Description

Description

That is:

  • F Mount/FX Format Lens
  • Aperture Range: f/2.8 to f/22
  • Three Glass Molded Aspherical Elements
  • Three SD Super-Low Dispersion Elements
  • Special Multi-Coatings
  • AF Silent-Drive Module System
  • Internal Focusing; One-Touch Focus Mechanism
  • Nine-Blade Diaphragm

The Tokina AT-X 24-70mm f/2.8 PRO FX lens is ideal for a variety of photographic genres such as travel, portraits, landscapes, and events. It provides bright, evenly lit images with controlled aberrations and distortions, while the numerous coatings help reduce flare and ghosting. The AF system operates quickly and silently, suitable for both photos and videos. The nine-blade diaphragm offers beautiful out-of-focus quality.

Compatible with Nikon FX-format DSLRs, it can also be used with DX-format DSLRs, offering a focal range of 36-105mm. The maximum aperture of f/2.8 ensures consistent performance throughout the zoom range, while the three glass molded elements and three SD elements contribute to high resolution and even lighting with minimal distortion. The Silent Drive-Module provides fast and quiet focusing, and the internal focusing mechanism maintains the lens's overall form during use. The diaphragm contributes to smooth out-of-focus quality.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Standard Zoom

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
24 - 70 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
1010 gr
Mount
Nikon F

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

3.0
2
3.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 1
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • antonis_argiridis
    5
    antonis_argiridis

    Excellent lens and excellent image quality. Construction quality that simply does not exist and is also evident from its weight (1050 gr). The focusing is slow but always accurate, unlike especially the Nikon ones which are fast but approximate. As for the negatives, it does not have image stabilization. It is logical that it may not be suitable for everyone, especially for those who do reporting, but it is excellent for everything else. I have had it for 4 years and it is flawless, replacing the corresponding Nikon lens that broke (lost its alignment). Overall, it is a difficult lens with reversed rings compared to Nikon, but the result is excellent

    Translated from Greek ·
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Noisy
    • Weight
    • Autofocus (AF) speed
    Did you find this review helpful?
  • poimenalex2
    3
    1 out of 1 members found this review helpful
    poimenalex2

    Stay away from this lens, I have been using it for about 3 years and it's not worth its money. It has a very poor autofocus and it focuses very difficultly in contrast light and low lights. Also, there is a batch that came to Greece which is defective, so be careful! The MF ring is quite fragile. It has good sharpness as a lens when it focuses. I recommend avoiding it for professional use, as you will lose good photos because they won't be focused. I have compared it to the Nikon 24-70 2.8 and the difference is huge! It's worth spending more money and getting the Nikon.

    Translated from Greek ·
    • Acidity
    • Construction quality
    • Color Quality
    • Weight
    • Autofocus (AF) speed
    • Value for money
    • Noisy
    Did you find this review helpful?
  • antonis_argiridis
    5
    antonis_argiridis

    Excellent lens and excellent image quality. Construction quality that simply does not exist and is also evident from its weight (1050 gr). The focusing is slow but always accurate, unlike especially the Nikon ones which are fast but approximate. As for the negatives, it does not have image stabilization. It is logical that it may not be suitable for everyone, especially for those who do reporting, but it is excellent for everything else. I have had it for 4 years and it is flawless, replacing the corresponding Nikon lens that broke (lost its alignment). Overall, it is a difficult lens with reversed rings compared to Nikon, but the result is excellent

    Translated from Greek ·
    0
  • poimenalex2
    3
    poimenalex2

    Stay away from this lens, I have been using it for about 3 years and it's not worth its money. It has a very poor autofocus and it focuses very difficultly in contrast light and low lights. Also, there is a batch that came to Greece which is defective, so be careful! The MF ring is quite fragile. It has good sharpness as a lens when it focuses. I recommend avoiding it for professional use, as you will lose good photos because they won't be focused. I have compared it to the Nikon 24-70 2.8 and the difference is huge! It's worth spending more money and getting the Nikon.

    Translated from Greek ·
    1
  • See all
Questions

Questions

Do you have a question about the product?

Those users who have this product can help you

Ask for the product

Description & Specifications

That is:

  • F Mount/FX Format Lens
  • Aperture Range: f/2.8 to f/22
  • Three Glass Molded Aspherical Elements
  • Three SD Super-Low Dispersion Elements
  • Special Multi-Coatings
  • AF Silent-Drive Module System
  • Internal Focusing; One-Touch Focus Mechanism
  • Nine-Blade Diaphragm

The Tokina AT-X 24-70mm f/2.8 PRO FX lens is ideal for a variety of photographic genres such as travel, portraits, landscapes, and events. It provides bright, evenly lit images with controlled aberrations and distortions, while the numerous coatings help reduce flare and ghosting. The AF system operates quickly and silently, suitable for both photos and videos. The nine-blade diaphragm offers beautiful out-of-focus quality.

Compatible with Nikon FX-format DSLRs, it can also be used with DX-format DSLRs, offering a focal range of 36-105mm. The maximum aperture of f/2.8 ensures consistent performance throughout the zoom range, while the three glass molded elements and three SD elements contribute to high resolution and even lighting with minimal distortion. The Silent Drive-Module provides fast and quiet focusing, and the internal focusing mechanism maintains the lens's overall form during use. The diaphragm contributes to smooth out-of-focus quality.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Standard Zoom

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
24 - 70 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
1010 gr
Mount
Nikon F

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

3.0
2
3.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 1
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • antonis_argiridis
    5
    antonis_argiridis

    Excellent lens and excellent image quality. Construction quality that simply does not exist and is also evident from its weight (1050 gr). The focusing is slow but always accurate, unlike especially the Nikon ones which are fast but approximate. As for the negatives, it does not have image stabilization. It is logical that it may not be suitable for everyone, especially for those who do reporting, but it is excellent for everything else. I have had it for 4 years and it is flawless, replacing the corresponding Nikon lens that broke (lost its alignment). Overall, it is a difficult lens with reversed rings compared to Nikon, but the result is excellent

    Translated from Greek ·
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Noisy
    • Weight
    • Autofocus (AF) speed
    Did you find this review helpful?
  • poimenalex2
    3
    1 out of 1 members found this review helpful
    poimenalex2

    Stay away from this lens, I have been using it for about 3 years and it's not worth its money. It has a very poor autofocus and it focuses very difficultly in contrast light and low lights. Also, there is a batch that came to Greece which is defective, so be careful! The MF ring is quite fragile. It has good sharpness as a lens when it focuses. I recommend avoiding it for professional use, as you will lose good photos because they won't be focused. I have compared it to the Nikon 24-70 2.8 and the difference is huge! It's worth spending more money and getting the Nikon.

    Translated from Greek ·
    • Acidity
    • Construction quality
    • Color Quality
    • Weight
    • Autofocus (AF) speed
    • Value for money
    • Noisy
    Did you find this review helpful?
  • antonis_argiridis
    5
    antonis_argiridis

    Excellent lens and excellent image quality. Construction quality that simply does not exist and is also evident from its weight (1050 gr). The focusing is slow but always accurate, unlike especially the Nikon ones which are fast but approximate. As for the negatives, it does not have image stabilization. It is logical that it may not be suitable for everyone, especially for those who do reporting, but it is excellent for everything else. I have had it for 4 years and it is flawless, replacing the corresponding Nikon lens that broke (lost its alignment). Overall, it is a difficult lens with reversed rings compared to Nikon, but the result is excellent

    Translated from Greek ·
    0
  • poimenalex2
    3
    poimenalex2

    Stay away from this lens, I have been using it for about 3 years and it's not worth its money. It has a very poor autofocus and it focuses very difficultly in contrast light and low lights. Also, there is a batch that came to Greece which is defective, so be careful! The MF ring is quite fragile. It has good sharpness as a lens when it focuses. I recommend avoiding it for professional use, as you will lose good photos because they won't be focused. I have compared it to the Nikon 24-70 2.8 and the difference is huge! It's worth spending more money and getting the Nikon.

    Translated from Greek ·
    1
  • See all
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