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SCT 800 Condenser Microphone XLR Shock Mounted for Vocals in Blue Color + Popkiller

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Microphones

SCT 800 Condenser Microphone XLR Shock Mounted for Vocals in Blue Color + Popkiller

The T.Bone SCT 800 condenser microphone is designed for vocal recording and connects via XLR. It features a shock mount and comes with a Popkiller filter.

  • Microphone type: Condenser
  • Connection: XLR
  • ...

The T.Bone SCT 800 condenser microphone is designed for vocal recording and connects via XLR. It features a shock mount and comes with a Popkiller filter.

  • Microphone type: Condenser
  • Connection: XLR
  • Use: Vocals
  • Mount: Shock mount
  • Color: Blue
  • Accessory: Popkiller filter
See full description See full description

Top specs

  • Type (Directivity)

    Unidirectional (Cardioid)

    Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
  • Usage Voice, Studio
  • Placement Shock Mounted
  • Connectivity XLR
  • See all
276 00 €
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Κάνε μία παραγγελία από 200€ έως 600€ έως 18/11 και κέρδισε κουπόνι 50€ για την επόμενη παραγγελία σου άνω των 300€.

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Delivery Mon, 23 Nov - Wed, 25 Nov
Free shipping cost
Sent from Greece
From Adagio 4.5 (65)
4.5 (65 reviews)
Greece
See Audio on the page of Adagio

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Product report

Description

Description

The T.Bone SCT 800 condenser microphone is designed for vocal recording and connects via XLR. It features a shock mount and comes with a Popkiller filter.

  • Microphone type: Condenser
  • Connection: XLR
  • Use: Vocals
  • Mount: Shock mount
  • Color: Blue
  • Accessory: Popkiller filter

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
20 - 15000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
200 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
14 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Connectivity
XLR

General Characteristics

Device Group
Voice, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Blue

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications
Questions

Questions

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Description & Specifications

The T.Bone SCT 800 condenser microphone is designed for vocal recording and connects via XLR. It features a shock mount and comes with a Popkiller filter.

  • Microphone type: Condenser
  • Connection: XLR
  • Use: Vocals
  • Mount: Shock mount
  • Color: Blue
  • Accessory: Popkiller filter

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
20 - 15000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
200 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
14 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Connectivity
XLR

General Characteristics

Device Group
Voice, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Blue

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

276,00 €
Free   shipping cost

T.Bone