This is a collection where the creator's personality prevails, leaving her own legacy and perspective on what concerns humanity and society in general. With a concise and straightforward writing style, it does not tire the reader but keeps them in a constant state of heightened sensitivity of the soul and mind, as it raises questions and dilemmas seeking answers that will lead to atonement and a salvific escape to a utopian and fairy-tale world.

With the lyricism that characterizes her, but without being constrained by the limitations of metrical poetry, she successfully creates her own personal style, without copying or being influenced by foreign models. If I had to categorize her, I would accurately say that she is a genuine representative of liberated poetry, with strong elements of symbolism, as is evident from her choice of the book's title.

Therefore, "Vultures" is the symbol that dominates on both a personal and social level. It relates to the decay of the greatness of love and affection that occurs in modern times, where human relationships, lacking "mutuality," collapse like paper towers. It is about the shaping of society at all levels, with vultures prevailing and cannibalism and the "I" as the ruling basis of existence contributing to the degradation of human rights as a fundamental principle of a healthy society.

(From the introductory note by lyricist and poet Christos Christopoulos)