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Audio Master ΕD-022B Condenser (Small Diaphragm) Microphone XLR Handheld, Shock Mounted for Studio
Microphones

Audio Master ΕD-022B Condenser (Small Diaphragm) Microphone XLR Handheld, Shock Mounted for Studio

Cardioid condenser microphone with sensitivity -45db 3db (0db=1V/pa).

Frequency response: 50Hz-18kHz, maximum SPL: 153db.

Fully shielded from magnetic interference.

Power supply: phantom 48V.

...

Cardioid condenser microphone with sensitivity -45db 3db (0db=1V/pa).

Frequency response: 50Hz-18kHz, maximum SPL: 153db.

Fully shielded from magnetic interference.

Power supply: phantom 48V.

Impedance: 100Ω 30% (at 1KHZ).

Suitable solution for instruments, drums, theater, etc.

See full description See full description

Top specs

  • Type (Directivity)

    Unidirectional (Cardioid)

    Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
  • Usage Presentations & Theater, Musical Instruments, Studio
  • Placement Handheld, Shock Mounted
  • Connectivity XLR
  • See all
58 50 €
59 Coins 59 Coins
Delivery Thu, 08 Oct - Mon, 12 Oct
3,50 € to a Skroutz Point or 4,50 € to an address
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Sent from Greece
From Adagio 4.4 (65)
4.4 (65 reviews)
Greece
See Audio on the page of Adagio
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Product report

Description

Description

Cardioid condenser microphone with sensitivity -45db ± 3db (0db=1V/pa).

Frequency response: 50Hz-18kHz, maximum SPL: 153db.

Fully shielded from magnetic interference.

Power supply: phantom 48V.

Impedance: 100Ω ± 30% (at 1KHZ).

Suitable solution for instruments, drums, theater, etc.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
50 - 18000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
100 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Max SPL
153 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
45 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR

General Characteristics

Device Group
Presentations & Theater, Musical Instruments, Studio
Placement
Handheld, Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications
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Questions

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Description & Specifications

Cardioid condenser microphone with sensitivity -45db ± 3db (0db=1V/pa).

Frequency response: 50Hz-18kHz, maximum SPL: 153db.

Fully shielded from magnetic interference.

Power supply: phantom 48V.

Impedance: 100Ω ± 30% (at 1KHZ).

Suitable solution for instruments, drums, theater, etc.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
50 - 18000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
100 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Max SPL
153 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
45 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR

General Characteristics

Device Group
Presentations & Theater, Musical Instruments, Studio
Placement
Handheld, Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

58,50 €
3,50 € to a Skroutz Point
or   4,50 €   shipping cost