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Canon Full Frame Camera Lens RF 24-105mm f/2.8 L IS USM Z Fixed for Canon RF Mount Black
Camera Lenses

Canon Full Frame Camera Lens RF 24-105mm f/2.8 L IS USM Z Fixed for Canon RF Mount Black

The Canon RF 24-105mm F2.8L IS USM Z lens is the bridge that connects the worlds of broadcasting, cinema, and photography. A groundbreaking lens for the era of hybrid photography, offering filmmakers...

The Canon RF 24-105mm F2.8L IS USM Z lens is the bridge that connects the worlds of broadcasting, cinema, and photography. A groundbreaking lens for the era of hybrid photography, offering filmmakers and photographers the best image quality and performance. With a constant f/2.8 aperture for stunning bokeh effect, it sets new standards for all content...

See full description See full description

  • Type

    Standard

    The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
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Product report

Description

Description

The Canon RF 24-105mm F2.8L IS USM Z lens is the bridge that connects the worlds of broadcasting, cinema, and photography. A groundbreaking lens for the era of hybrid photography, offering filmmakers and photographers the best image quality and performance. With a constant f/2.8 aperture for stunning bokeh effect, it sets new standards for all content creators.

  • A professional 24-105mm zoom lens for video and still photography.
  • Fast f/2.8 aperture for excellent depth of field control.
  • Cinematic capabilities for cinema-quality films.

Capture high-quality photos and videos at all events throughout the day, even in low light conditions. The 11-blade aperture provides impressive out-of-focus highlights, as well as incredible sharpness and color accuracy.

With a constant f/2.8 from 24mm to 105mm, the zoom covers every need. The 24-105mm focal length and the 5.5-stop Optical Image Stabilizer set new standards in video and still image shooting.

The four UD elements correct chromatic aberration, while three aspherical lenses neutralize spherical aberrations. The ASC and Super Spectra coatings reduce ghosting and flare, while the fluorine coating protects the lens surface from dirt.

The fast autofocus allows for professional electronic parfocal performance as you zoom, preventing the change of the angle of view when changing the focal length.

Get close to your subject and focus up to 0.45m for close-up shots that fill the frame. Customizable function buttons and control ring provide additional control options.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Standard

Type

Standard
The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
24 - 105 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Focal Length
70 mm

Focal Length

It is the distance that the light rays need to travel to reach the focal point, that is, the lens sensor.
The smaller the focal distance, the larger the angle of view for the photograph and therefore the lens can capture more of what is in front of us.
Weight
1300 gr
Mount
Canon RF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
Yes

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

4.5
2
4.5
Review this product
  1. 1
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • G_Photo
    4
    2 out of 2 members found this review helpful
    G_Photo

    I had the 24-70 2.8 RF. I switched to this one since I decided to stop shooting with two bodies. On the second camera, I had an 85mm. Regarding the weight: It doesn't show! Even though it is heavier than the 24-70, so far it gives me the impression that it is better balanced. Not to mention that it has a better grip than the 24-70, where the weight is concentrated because it is shorter in length. In terms of focus, it is quite fast. And in terms of sharpness, it is about on the same level as the 24-70. These are the positives. On the negatives: The lens ring, which you can set up to change ISO (for example), on this lens is positioned much further forward. So, to reach it, you have to let go of the lens and move your hand. On the 24-70, you can do it without moving your hand since it is shorter. The biggest negative I have encountered so far is that you cannot completely remove the tripod collar. This makes it very uncomfortable. If it could be removed completely, it would be MUCH BETTER ergonomically. I really don't know what they were thinking at Canon. For this reason, I give it 4 stars.

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    Christy_Ka

  • G_Photo
    4
    G_Photo

    I had the 24-70 2.8 RF. I switched to this one since I decided to stop shooting with two bodies. On the second camera, I had an 85mm. Regarding the weight: It doesn't show! Even though it is heavier than the 24-70, so far it gives me the impression that it is better balanced. Not to mention that it has a better grip than the 24-70, where the weight is concentrated because it is shorter in length. In terms of focus, it is quite fast. And in terms of sharpness, it is about on the same level as the 24-70. These are the positives. On the negatives: The lens ring, which you can set up to change ISO (for example), on this lens is positioned much further forward. So, to reach it, you have to let go of the lens and move your hand. On the 24-70, you can do it without moving your hand since it is shorter. The biggest negative I have encountered so far is that you cannot completely remove the tripod collar. This makes it very uncomfortable. If it could be removed completely, it would be MUCH BETTER ergonomically. I really don't know what they were thinking at Canon. For this reason, I give it 4 stars.

    Translated from Greek ·
    2
  • 5
    Christy_Ka

    0
  • See all
Questions

Questions

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2 users have this product and can help you

Ask for the product

Description & Specifications

The Canon RF 24-105mm F2.8L IS USM Z lens is the bridge that connects the worlds of broadcasting, cinema, and photography. A groundbreaking lens for the era of hybrid photography, offering filmmakers and photographers the best image quality and performance. With a constant f/2.8 aperture for stunning bokeh effect, it sets new standards for all content creators.

  • A professional 24-105mm zoom lens for video and still photography.
  • Fast f/2.8 aperture for excellent depth of field control.
  • Cinematic capabilities for cinema-quality films.

Capture high-quality photos and videos at all events throughout the day, even in low light conditions. The 11-blade aperture provides impressive out-of-focus highlights, as well as incredible sharpness and color accuracy.

With a constant f/2.8 from 24mm to 105mm, the zoom covers every need. The 24-105mm focal length and the 5.5-stop Optical Image Stabilizer set new standards in video and still image shooting.

The four UD elements correct chromatic aberration, while three aspherical lenses neutralize spherical aberrations. The ASC and Super Spectra coatings reduce ghosting and flare, while the fluorine coating protects the lens surface from dirt.

The fast autofocus allows for professional electronic parfocal performance as you zoom, preventing the change of the angle of view when changing the focal length.

Get close to your subject and focus up to 0.45m for close-up shots that fill the frame. Customizable function buttons and control ring provide additional control options.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Standard

Type

Standard
The visual they offer is very close to the human eye and is often called "normal". They provide a natural result with minimal distortions and their focal distance is usually 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
24 - 105 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Focal Length
70 mm

Focal Length

It is the distance that the light rays need to travel to reach the focal point, that is, the lens sensor.
The smaller the focal distance, the larger the angle of view for the photograph and therefore the lens can capture more of what is in front of us.
Weight
1300 gr
Mount
Canon RF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
Yes

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

4.5
2
4.5
Review this product
  1. 1
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • G_Photo
    4
    2 out of 2 members found this review helpful
    G_Photo

    I had the 24-70 2.8 RF. I switched to this one since I decided to stop shooting with two bodies. On the second camera, I had an 85mm. Regarding the weight: It doesn't show! Even though it is heavier than the 24-70, so far it gives me the impression that it is better balanced. Not to mention that it has a better grip than the 24-70, where the weight is concentrated because it is shorter in length. In terms of focus, it is quite fast. And in terms of sharpness, it is about on the same level as the 24-70. These are the positives. On the negatives: The lens ring, which you can set up to change ISO (for example), on this lens is positioned much further forward. So, to reach it, you have to let go of the lens and move your hand. On the 24-70, you can do it without moving your hand since it is shorter. The biggest negative I have encountered so far is that you cannot completely remove the tripod collar. This makes it very uncomfortable. If it could be removed completely, it would be MUCH BETTER ergonomically. I really don't know what they were thinking at Canon. For this reason, I give it 4 stars.

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    Christy_Ka

  • G_Photo
    4
    G_Photo

    I had the 24-70 2.8 RF. I switched to this one since I decided to stop shooting with two bodies. On the second camera, I had an 85mm. Regarding the weight: It doesn't show! Even though it is heavier than the 24-70, so far it gives me the impression that it is better balanced. Not to mention that it has a better grip than the 24-70, where the weight is concentrated because it is shorter in length. In terms of focus, it is quite fast. And in terms of sharpness, it is about on the same level as the 24-70. These are the positives. On the negatives: The lens ring, which you can set up to change ISO (for example), on this lens is positioned much further forward. So, to reach it, you have to let go of the lens and move your hand. On the 24-70, you can do it without moving your hand since it is shorter. The biggest negative I have encountered so far is that you cannot completely remove the tripod collar. This makes it very uncomfortable. If it could be removed completely, it would be MUCH BETTER ergonomically. I really don't know what they were thinking at Canon. For this reason, I give it 4 stars.

    Translated from Greek ·
    2
  • 5
    Christy_Ka

    0
  • See all
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