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Ennio Morricone, In His Own Words

Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, Morricone is widely known for his innovative...

Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, Morricone is widely known for his innovative scores to The Good, the Bad, and the Ugly and other Sergio Leone's movies, The Mission, Cinema Paradiso, and more recently, The Hateful Eight. Over the past 60...

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  • Θέματα Κινηματογράφος
  • Γλώσσα Αγγλικά
  • Αριθμός σελίδων Αριθμός σελίδων 352
  • Εξώφυλλο Εξώφυλλο Σκληρό
  • Έτος έκδοσης Έτος έκδοσης 2019
  • Εκδότης Εκδότης Oxford University Press
  • Δες τα όλα
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Περιγραφή

Περιγραφή

Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, Morricone is widely known for his innovative scores to The Good, the Bad, and the Ugly and other Sergio Leone's movies, The Mission, Cinema Paradiso, and more recently, The Hateful Eight. Over the past 60 years, he has reinvented the sound of cinema.

In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines as “beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest.”

Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski, and Tarantino.

In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with “absolute music.” Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, “Coming into contact with memories doesn’t only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen.”

Σελίδες: 368, Διαστάσεις: 23.9x23.9cm

Κατασκευαστής

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Χαρακτηριστικά

Χαρακτηριστικά

Εκδότης
Oxford University Press
Γλώσσα
Αγγλικά
Υπότιτλος
In His Own Words
Εξώφυλλο
Σκληρό
Αριθμός σελίδων
352
Ημερομηνία Κυκλοφορίας
-
Έτος έκδοσης
2019
Βραβείο
-
Διαστάσεις
16.6x24 cm
Λευκώματα
Όχι
Θέματα
Κινηματογράφος
ISBN-13
9780190681012

Σημαντική πληροφορία

Τα δεδομένα αυτά συλλέγονται από τις επίσημες σελίδες των προϊόντων. Επιβεβαίωσε τα στοιχεία πριν προχωρήσεις στην τελική αγορά. Εάν παρατηρήσεις κάποιο πρόβλημα μπορείς να το αναφέρεις εδώ.

Δες όλα τα χαρακτηριστικά
Ερωτήσεις

Ερωτήσεις

Έχεις απορία για το προϊόν;

Όσοι χρήστες έχουν το προϊόν μπορούν να σε βοηθήσουν

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Περιγραφή & Χαρακτηριστικά

Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, Morricone is widely known for his innovative scores to The Good, the Bad, and the Ugly and other Sergio Leone's movies, The Mission, Cinema Paradiso, and more recently, The Hateful Eight. Over the past 60 years, he has reinvented the sound of cinema.

In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines as “beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest.”

Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski, and Tarantino.

In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with “absolute music.” Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, “Coming into contact with memories doesn’t only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen.”

Σελίδες: 368, Διαστάσεις: 23.9x23.9cm

Κατασκευαστής

Εκδότης
Oxford University Press
Γλώσσα
Αγγλικά
Υπότιτλος
In His Own Words
Εξώφυλλο
Σκληρό
Αριθμός σελίδων
352
Ημερομηνία Κυκλοφορίας
-
Έτος έκδοσης
2019
Βραβείο
-
Διαστάσεις
16.6x24 cm
Λευκώματα
Όχι
Θέματα
Κινηματογράφος
ISBN-13
9780190681012

Σημαντική πληροφορία

Τα δεδομένα αυτά συλλέγονται από τις επίσημες σελίδες των προϊόντων. Επιβεβαίωσε τα στοιχεία πριν προχωρήσεις στην τελική αγορά. Εάν παρατηρήσεις κάποιο πρόβλημα μπορείς να το αναφέρεις εδώ.

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