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Mipro MM-80 Condenser Microphone Handmade for Vocals
Microphones

Mipro MM-80 Condenser Microphone Handmade for Vocals

MiPRO MM80 Wired Supercardioid Condenser Microphone for stage, 50Hz-20kHz

  • Supercardioid vocal microphone.
  • Alternative MU-80 cardioid condenser capsule.
  • Excellent directivity and signal feedback...

MiPRO MM80 Wired Supercardioid Condenser Microphone for stage, 50Hz-20kHz

  • Supercardioid vocal microphone.
  • Alternative MU-80 cardioid condenser capsule.
  • Excellent directivity and signal feedback suppression.
  • High SPL without distortion and low noise.

Specifications:

  • Capsule: MU-80
  • Polar Pattern: Supercardioid
  • Capsule Installation: Interchangeable
  • Housing:...
See full description See full description

  • Type (Directivity)

    Unidirectional (Cardioid)

    Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
  • Usage Voice
  • Placement Handmade
  • See all
204 00 €
204 Coins 204 Coins
Delivery Thu, 06 Aug - Mon, 10 Aug
Free shipping cost
Sent from Greece
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2 pieces
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Product report

Description

Description

MiPRO MM80 Wired Supercardioid Condenser Microphone for stage, 50Hz-20kHz

  • Supercardioid vocal microphone.
  • Alternative MU-80 cardioid condenser capsule.
  • Excellent directivity and signal feedback suppression.
  • High SPL without distortion and low noise.

Specifications:

  • Capsule: MU-80
  • Polar Pattern: Supercardioid
  • Capsule Installation: Interchangeable
  • Housing: Die-cast zinc alloy
  • Sensitivity: -46 dBV ± 1 dB V / Pa (0 dB=1 V Open-circuit voltage), switchable gain setting of -6 dB on the capsule.
  • Frequency Response: 50 Hz ~ 20 kHz (94 dB SPL)
  • Self-Noise: 78 dB @ 94 dB SPL (1 Pa)
  • Max. Input SPL: 149 dB (Typical)
  • Dynamic Range: 132 dB
  • Power Supply: External phantom power 12 ~ 52 V DC
  • Current Consumption: 2.0 mA
  • Output Impedance: 200 Ω
  • Dimensions (Ø × L): 51 × 200mm
  • Net Weight: Approx. 228gr

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
50 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
200 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Max SPL
149 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
78 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.

General Characteristics

Device Group
Voice
Placement
Handmade
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications
Questions

Questions

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Description & Specifications

MiPRO MM80 Wired Supercardioid Condenser Microphone for stage, 50Hz-20kHz

  • Supercardioid vocal microphone.
  • Alternative MU-80 cardioid condenser capsule.
  • Excellent directivity and signal feedback suppression.
  • High SPL without distortion and low noise.

Specifications:

  • Capsule: MU-80
  • Polar Pattern: Supercardioid
  • Capsule Installation: Interchangeable
  • Housing: Die-cast zinc alloy
  • Sensitivity: -46 dBV ± 1 dB V / Pa (0 dB=1 V Open-circuit voltage), switchable gain setting of -6 dB on the capsule.
  • Frequency Response: 50 Hz ~ 20 kHz (94 dB SPL)
  • Self-Noise: 78 dB @ 94 dB SPL (1 Pa)
  • Max. Input SPL: 149 dB (Typical)
  • Dynamic Range: 132 dB
  • Power Supply: External phantom power 12 ~ 52 V DC
  • Current Consumption: 2.0 mA
  • Output Impedance: 200 Ω
  • Dimensions (Ø × L): 51 × 200mm
  • Net Weight: Approx. 228gr

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
50 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
200 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Max SPL
149 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
78 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.

General Characteristics

Device Group
Voice
Placement
Handmade
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

204,00 €
Free   shipping cost