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AKG C411 PP Condenser (Small Diaphragm) Microphone XLR Shock Mounted for Studio
Microphones

AKG C411 PP Condenser (Small Diaphragm) Microphone XLR Shock Mounted for Studio

Condenser figure-eight vibration transducer (pickup) for string instruments, extremely lightweight, frequency response 10-18,000Hz, phantom power 9-52V. 3m cable, XLR plug. Attaches to the instrument...

Condenser figure-eight vibration transducer (pickup) for string instruments, extremely lightweight, frequency response 10-18,000Hz, phantom power 9-52V. 3m cable, XLR plug. Attaches to the instrument with reusable adhesive compound. Suitable for acoustic guitar, mandolin, violin, and most string instruments.


See full description See full description
  • Type (Directivity) Bidirectional (Figure-8)
  • Usage Musical Instruments, Studio
  • Placement Shock Mounted
  • Connectivity XLR
  • See all
159 00 €
159 Coins 159 Coins
Delivery Mon, 10 Aug - Wed, 12 Aug
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Sent from Greece
From Arco 5.0 (5)
5.0 (5 reviews)
Greece
See Audio on the page of Arco
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Product report

Description

Description

Condenser figure-eight vibration transducer (pickup) for string instruments, extremely lightweight, frequency response 10-18,000Hz, phantom power 9-52V. 3m cable, XLR plug. Attaches to the instrument with reusable adhesive compound. Suitable for acoustic guitar, mandolin, violin, and most string instruments.


Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Bidirectional (Figure-8)
Frequency
10 - 18000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
200 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
2 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Connectivity
XLR

General Characteristics

Device Group
Musical Instruments, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (3)

Reviews

5.0
3
5.0
Review this product
  1. 3
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Sound quality
  • Construction quality
  • Durability
  • Value for money
Questions (2)

Questions

11 users have this product and can help you

Ask for the product
vfanar

Ναι μπορείτε. Η κάψα έχει ένα ειδικό κολλητικό gel που κολλάει και ξεκολλάει εύκολα πάνω στο όργανο, ξανά και ξανά, εύκολα και χωρίς να αφήνει σημάδια ή υπολοίματα στο ξύλο. Εγώ τη χρησιμοποιώ σε κέλτικη άρπα (εφαρμόζεται άψογα πάνω στο ηχείο της).

vfanar 2022-06-12
1 Reply Reply to
CHristos_Panagopoulos6274

για μπουζουκι σε εξωτερικους χωρους κανει?εχει καλη αποδοση?αν γνωριζει καποιος θα ηταν χρησιμη η γνωμη του.ευχαριστω!!

CHristos_Panagopoulos6274 2023-11-20
1 Reply Reply to
See all questions (2)

Description & Specifications

Condenser figure-eight vibration transducer (pickup) for string instruments, extremely lightweight, frequency response 10-18,000Hz, phantom power 9-52V. 3m cable, XLR plug. Attaches to the instrument with reusable adhesive compound. Suitable for acoustic guitar, mandolin, violin, and most string instruments.


Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Bidirectional (Figure-8)
Frequency
10 - 18000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
200 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
2 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Connectivity
XLR

General Characteristics

Device Group
Musical Instruments, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (3)

5.0
3
5.0
Review this product
  1. 3
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Sound quality
  • Construction quality
  • Durability
  • Value for money
159,00 €
3,50 € to a Skroutz Point