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Full Frame Camera Lens NIKKOR Z 28-75mm f/2.8 Wide Angle for Z Mount Black
Camera Lenses

Full Frame Camera Lens NIKKOR Z 28-75mm f/2.8 Wide Angle for Z Mount Black

The Nikon NIKKOR Z 28-75mm f/2.8 is a constant-aperture wide-angle zoom lens, compatible with the Z mount and full-frame sensors. Its maximum f/2.8 aperture maintains consistent exposure throughout...

The Nikon NIKKOR Z 28-75mm f/2.8 is a constant-aperture wide-angle zoom lens, compatible with the Z mount and full-frame sensors. Its maximum f/2.8 aperture maintains consistent exposure throughout the zoom range and allows shooting in available light, while the rounded 9-blade diaphragm creates soft bokeh. Autofocus is smooth and quiet, and focus breathing...

See full description See full description

Top specs

  • Type

    Wide Angle

    Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
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Product report

Description

Description

The Nikon NIKKOR Z 28-75mm f/2.8 is a constant-aperture wide-angle zoom lens, compatible with the Z mount and full-frame sensors. Its maximum f/2.8 aperture maintains consistent exposure throughout the zoom range and allows shooting in available light, while the rounded 9-blade diaphragm creates soft bokeh. Autofocus is smooth and quiet, and focus breathing is minimized during video recording.

Its focal length range, from wide-angle to telephoto, supports landscape, portrait, and close-up photography. The minimum focus distance ranges from 0.19 m at 28 mm to 0.39 m at 75 mm. The lens features an internal focusing system, a clickless control ring, and resistance to dust and moisture.

  • Type: Constant-aperture wide-angle zoom lens
  • Compatibility: Nikon Z
  • Sensor type: Full frame
  • Focal length: 28–75 mm
  • Maximum aperture: f/2.8
  • Minimum aperture: f/22
  • Autofocus: Yes
  • Minimum focus distance: 0.19 m at 28 mm, 0.22 m at 35 mm, 0.3 m at 50 mm, and 0.39 m at 75 mm
  • Maximum reproduction ratio: 0.34x
  • Lens construction: 15 elements in 12 groups, including 1 super-ED element, 1 ED element, and 3 aspherical elements
  • Diaphragm blades: 9, with a rounded opening
  • Filter diameter: 67 mm
  • Control ring: Clickless
  • Resistance: Dust and moisture
  • Weight: 565 g
  • Color: Black
  • Uses: Landscape photography, video production, wildlife, and sports

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Wide Angle

Type

Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
67 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
28 - 75 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
565 gr
Mount
Nikon Z

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

3.5
2
3.5
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 1
  5. 1 star
    0
Review this product

Reviews by our members

  • Konstantinos_Parcharidis
    2
    5 out of 5 members found this review helpful
    Konstantinos_Parcharidis

    Verified purchase

    Personally, I believe that it is not worth its money due to the quality of construction. The lens is generally good. HOWEVER, the ring that holds the hood and the cap broke. At first, I thought that the lens was faulty because it did not fall or get hit. They told me that it hit somewhere with the cap and caused the ring to break. For 900€, I find it unbelievable that a lens component would break so easily, especially considering that it would eventually undergo some minimal wear and tear over time

    Translated from Greek ·
    • Quiet
    • Autofocus (AF) speed
    • Weight
    • Construction quality
    • Value for money
    Did you find this review helpful?
  • dmagiras
    5
    5 out of 7 members found this review helpful
    dmagiras

    Very nice lens always in relation to the money you give. I haven't tried the 24-70 f2.8 but compared to the 24-70 f4s, I don't see any significant differences in image quality with the naked eye and normal zoom. Maybe it lacks a bit in terms of focus, which I would describe as slightly slower and lazier. Otherwise, I don't see a reason to use the 24-70 again, maybe because personally I don't miss the first 4mm while the one stop is often necessary for me. Also, when the 24-70 f4 opens up to function, it practically approaches the size of the 28-75. You put it on in the morning and unless you want to enter the dark, or do something very special, you never take it off...

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Weight
    • Autofocus (AF) speed
    Did you find this review helpful?
  • Konstantinos_Parcharidis
    2
    Konstantinos_Parcharidis

    Personally, I believe that it is not worth its money due to the quality of construction. The lens is generally good. HOWEVER, the ring that holds the hood and the cap broke. At first, I thought that the lens was faulty because it did not fall or get hit. They told me that it hit somewhere with the cap and caused the ring to break. For 900€, I find it unbelievable that a lens component would break so easily, especially considering that it would eventually undergo some minimal wear and tear over time

    Translated from Greek ·
    5
  • dmagiras
    5
    dmagiras

    Very nice lens always in relation to the money you give. I haven't tried the 24-70 f2.8 but compared to the 24-70 f4s, I don't see any significant differences in image quality with the naked eye and normal zoom. Maybe it lacks a bit in terms of focus, which I would describe as slightly slower and lazier. Otherwise, I don't see a reason to use the 24-70 again, maybe because personally I don't miss the first 4mm while the one stop is often necessary for me. Also, when the 24-70 f4 opens up to function, it practically approaches the size of the 28-75. You put it on in the morning and unless you want to enter the dark, or do something very special, you never take it off...

    Translated from Greek ·
    5
  • See all
Questions

Questions

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Description & Specifications

The Nikon NIKKOR Z 28-75mm f/2.8 is a constant-aperture wide-angle zoom lens, compatible with the Z mount and full-frame sensors. Its maximum f/2.8 aperture maintains consistent exposure throughout the zoom range and allows shooting in available light, while the rounded 9-blade diaphragm creates soft bokeh. Autofocus is smooth and quiet, and focus breathing is minimized during video recording.

Its focal length range, from wide-angle to telephoto, supports landscape, portrait, and close-up photography. The minimum focus distance ranges from 0.19 m at 28 mm to 0.39 m at 75 mm. The lens features an internal focusing system, a clickless control ring, and resistance to dust and moisture.

  • Type: Constant-aperture wide-angle zoom lens
  • Compatibility: Nikon Z
  • Sensor type: Full frame
  • Focal length: 28–75 mm
  • Maximum aperture: f/2.8
  • Minimum aperture: f/22
  • Autofocus: Yes
  • Minimum focus distance: 0.19 m at 28 mm, 0.22 m at 35 mm, 0.3 m at 50 mm, and 0.39 m at 75 mm
  • Maximum reproduction ratio: 0.34x
  • Lens construction: 15 elements in 12 groups, including 1 super-ED element, 1 ED element, and 3 aspherical elements
  • Diaphragm blades: 9, with a rounded opening
  • Filter diameter: 67 mm
  • Control ring: Clickless
  • Resistance: Dust and moisture
  • Weight: 565 g
  • Color: Black
  • Uses: Landscape photography, video production, wildlife, and sports

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Wide Angle

Type

Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
67 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
28 - 75 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
565 gr
Mount
Nikon Z

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

3.5
2
3.5
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 1
  5. 1 star
    0
Review this product

Reviews by our members

  • Konstantinos_Parcharidis
    2
    5 out of 5 members found this review helpful
    Konstantinos_Parcharidis

    Verified purchase

    Personally, I believe that it is not worth its money due to the quality of construction. The lens is generally good. HOWEVER, the ring that holds the hood and the cap broke. At first, I thought that the lens was faulty because it did not fall or get hit. They told me that it hit somewhere with the cap and caused the ring to break. For 900€, I find it unbelievable that a lens component would break so easily, especially considering that it would eventually undergo some minimal wear and tear over time

    Translated from Greek ·
    • Quiet
    • Autofocus (AF) speed
    • Weight
    • Construction quality
    • Value for money
    Did you find this review helpful?
  • dmagiras
    5
    5 out of 7 members found this review helpful
    dmagiras

    Very nice lens always in relation to the money you give. I haven't tried the 24-70 f2.8 but compared to the 24-70 f4s, I don't see any significant differences in image quality with the naked eye and normal zoom. Maybe it lacks a bit in terms of focus, which I would describe as slightly slower and lazier. Otherwise, I don't see a reason to use the 24-70 again, maybe because personally I don't miss the first 4mm while the one stop is often necessary for me. Also, when the 24-70 f4 opens up to function, it practically approaches the size of the 28-75. You put it on in the morning and unless you want to enter the dark, or do something very special, you never take it off...

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Weight
    • Autofocus (AF) speed
    Did you find this review helpful?
  • Konstantinos_Parcharidis
    2
    Konstantinos_Parcharidis

    Personally, I believe that it is not worth its money due to the quality of construction. The lens is generally good. HOWEVER, the ring that holds the hood and the cap broke. At first, I thought that the lens was faulty because it did not fall or get hit. They told me that it hit somewhere with the cap and caused the ring to break. For 900€, I find it unbelievable that a lens component would break so easily, especially considering that it would eventually undergo some minimal wear and tear over time

    Translated from Greek ·
    5
  • dmagiras
    5
    dmagiras

    Very nice lens always in relation to the money you give. I haven't tried the 24-70 f2.8 but compared to the 24-70 f4s, I don't see any significant differences in image quality with the naked eye and normal zoom. Maybe it lacks a bit in terms of focus, which I would describe as slightly slower and lazier. Otherwise, I don't see a reason to use the 24-70 again, maybe because personally I don't miss the first 4mm while the one stop is often necessary for me. Also, when the 24-70 f4 opens up to function, it practically approaches the size of the 28-75. You put it on in the morning and unless you want to enter the dark, or do something very special, you never take it off...

    Translated from Greek ·
    5
  • See all
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