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Audio Technica PRO31 Δυναμικό Microphone XLR Handmade for Vocals
Microphones

Audio Technica PRO31 Δυναμικό Microphone XLR Handmade for Vocals

PRO31 - [Discontinued]

  • Cardioid dynamic handheld microphone
  • Wide frequency range and low handling noise
  • Hi-Energy neodymium magnet
  • Two-stage ball-type head for superior "pop" protection
  • MagnaLock...

PRO31 - [Discontinued]

  • Cardioid dynamic handheld microphone
  • Wide frequency range and low handling noise
  • Hi-Energy neodymium magnet
  • Two-stage ball-type head for superior "pop" protection
  • MagnaLock on/off switch
  • Durable design and construction for reliable performance
  • Includes XLRM-XLRF cable
See full description See full description

Top specs

  • Type (Directivity)

    Unidirectional (Cardioid)

    Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
  • Usage Voice, Presentations & Theater
  • Placement Handmade
  • Connectivity XLR
  • See all
80 00 €
80 Coins 80 Coins
Delivery Mon, 31 Aug - Fri, 04 Sep
3,50 € to a Skroutz Point or 4,50 € to an address
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Sent from Greece
From Adagio 4.5 (60)
4.5 (60 reviews)
Greece
See Audio on the page of Adagio
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Product report

Description

Description

PRO31 - [Discontinued]

  • Cardioid dynamic handheld microphone
  • Wide frequency range and low handling noise
  • Hi-Energy® neodymium magnet
  • Two-stage ball-type head for superior "pop" protection
  • MagnaLock on/off switch
  • Durable design and construction for reliable performance
  • Includes XLRM-XLRF cable

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Dynamic

Mode of Operation

Dynamic

Durable microphone that does not require power supply. Ideal for live performances and loud sound sources (vocals, drums, amplifiers).
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
60 - 13000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
600 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
1.7 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Connectivity
XLR

General Characteristics

Device Group
Voice, Presentations & Theater
Placement
Handmade
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications
Questions

Questions

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Ask for the product

Description & Specifications

PRO31 - [Discontinued]

  • Cardioid dynamic handheld microphone
  • Wide frequency range and low handling noise
  • Hi-Energy® neodymium magnet
  • Two-stage ball-type head for superior "pop" protection
  • MagnaLock on/off switch
  • Durable design and construction for reliable performance
  • Includes XLRM-XLRF cable

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Dynamic

Mode of Operation

Dynamic

Durable microphone that does not require power supply. Ideal for live performances and loud sound sources (vocals, drums, amplifiers).
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
60 - 13000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
600 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
1.7 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Connectivity
XLR

General Characteristics

Device Group
Voice, Presentations & Theater
Placement
Handmade
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

80,00 €
3,50 € to a Skroutz Point