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Sigma Full Frame Camera Lens 24mm F/2 DG DN I Contemporary Wide Angle for Leica L Mount Black
Camera Lenses

Sigma Full Frame Camera Lens 24mm F/2 DG DN I Contemporary Wide Angle for Leica L Mount Black

Excellent Bokeh, top optical performance

In the era of mirrorless cameras, the balance between performance and size is even more critical. There is an increasing demand for compact, high-performance,...

Excellent Bokeh, top optical performance

In the era of mirrorless cameras, the balance between performance and size is even more critical. There is an increasing demand for compact, high-performance, high-quality lenses. SIGMA responds to this call with the I Contemporary series of full-frame, mirrorless lenses.

Available for L-Mount and Sony E mount, DG...

See full description See full description

Top specs

  • Type

    Wide Angle

    Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Focal Length

    Lenses with fixed optics are usually of higher quality than a corresponding zoom lens at the same focal distance. They are also called "fixed" or "prime" lenses.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • See all
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Product report

Description

Description

Excellent Bokeh, top optical performance

In the era of mirrorless cameras, the balance between performance and size is even more critical. There is an increasing demand for compact, high-performance, high-quality lenses. SIGMA responds to this call with the I Contemporary series of full-frame, mirrorless lenses.

Available for L-Mount and Sony E mount, DG indicates full-frame sensor coverage and DN indicates exclusive mirrorless design. The I series represents a new choice: Premium, Compact Primes that have a sleek appearance, with impressive specifications and optical performance.

There are now two 24mm options in the I series. The 24mm is a very popular wide-angle focal length and each of these lenses has its own advantages and use cases at this focal length. The new 24mm F2 DG DN | C is an addition to the I series lens group with a fast f/2 aperture, along with the 35mm f/2 and 65mm f/2 lenses.

The 24mm f/2 DG DN | C is the larger of the two lenses, due to the optical design requirements for creating an extremely sharp, wide-angle prime lens with a faster maximum aperture. The faster maximum aperture of f/2 and overall optical performance make this lens a natural choice for astrophotography, along with landscapes, cityscapes, and street photography, especially in low-light indoor settings and night shots.

The combination of the 24mm f/2, 35mm f/2, and 65mm f/2 primes offers consistently fast apertures at three classic focal lengths for cinema and photography.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Wide Angle

Type

Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Focal Length

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Focal Length
Lenses with fixed optics are usually of higher quality than a corresponding zoom lens at the same focal distance. They are also called "fixed" or "prime" lenses.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Focal Length
24 mm

Focal Length

It is the distance that the light rays need to travel to reach the focal point, that is, the lens sensor.
The smaller the focal distance, the larger the angle of view for the photograph and therefore the lens can capture more of what is in front of us.
Mount
Leica L

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
No

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (1)

Reviews

5.0
1
5.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Dimitris1780128
    5
    Dimitris1780128

    Verified purchase

    This review is about the mount: Sony E

    It must be my favorite lens for travel. Extremely fast, sharp, and silent. The fully metal construction is flawless. It puts to shame many lenses that cost much more.

    Wide enough to fit buildings and landscapes, but not so wide that distortion becomes a problem. I’ve traveled enough with 35mm and 50mm, and it was often an issue because I couldn’t step back further. For interiors, it’s not wide enough. I would go for around 16mm.

    The size is a bit large, but it doesn’t scare people in street photography if you don’t point it directly at them. You can have them in the frame without them noticing. It looks like a telephoto, and if someone gets suspicious, you can just pretend you’re waiting for them to pass so you can shoot behind/beside them.

    It might be a better idea to go for the f/3.5, which is much smaller and cheaper. Anyway, for landscapes, the lens is usually at f/8 and pre-focused at 3 meters. Most of the time, you don’t even need AF.

    Although at this point, I’d wait to see what Viltrox will release at this focal length in the EVO series

    Translated from Greek ·
    Did you find this review helpful?
  • Dimitris1780128
    5
    Dimitris1780128

    It must be my favorite lens for travel. Extremely fast, sharp, and silent. The fully metal construction is flawless. It puts to shame many lenses that cost much more.

    Wide enough to fit buildings and landscapes, but not so wide that distortion becomes a problem. I’ve traveled enough with 35mm and 50mm, and it was often an issue because I couldn’t step back further. For interiors, it’s not wide enough. I would go for around 16mm.

    The size is a bit large, but it doesn’t scare people in street photography if you don’t point it directly at them. You can have them in the frame without them noticing. It looks like a telephoto, and if someone gets suspicious, you can just pretend you’re waiting for them to pass so you can shoot behind/beside them.

    It might be a better idea to go for the f/3.5, which is much smaller and cheaper. Anyway, for landscapes, the lens is usually at f/8 and pre-focused at 3 meters. Most of the time, you don’t even need AF.

    Although at this point, I’d wait to see what Viltrox will release at this focal length in the EVO series

    Translated from Greek ·
    0
  • See all
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Questions

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Description & Specifications

Excellent Bokeh, top optical performance

In the era of mirrorless cameras, the balance between performance and size is even more critical. There is an increasing demand for compact, high-performance, high-quality lenses. SIGMA responds to this call with the I Contemporary series of full-frame, mirrorless lenses.

Available for L-Mount and Sony E mount, DG indicates full-frame sensor coverage and DN indicates exclusive mirrorless design. The I series represents a new choice: Premium, Compact Primes that have a sleek appearance, with impressive specifications and optical performance.

There are now two 24mm options in the I series. The 24mm is a very popular wide-angle focal length and each of these lenses has its own advantages and use cases at this focal length. The new 24mm F2 DG DN | C is an addition to the I series lens group with a fast f/2 aperture, along with the 35mm f/2 and 65mm f/2 lenses.

The 24mm f/2 DG DN | C is the larger of the two lenses, due to the optical design requirements for creating an extremely sharp, wide-angle prime lens with a faster maximum aperture. The faster maximum aperture of f/2 and overall optical performance make this lens a natural choice for astrophotography, along with landscapes, cityscapes, and street photography, especially in low-light indoor settings and night shots.

The combination of the 24mm f/2, 35mm f/2, and 65mm f/2 primes offers consistently fast apertures at three classic focal lengths for cinema and photography.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Wide Angle

Type

Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Focal Length

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Focal Length
Lenses with fixed optics are usually of higher quality than a corresponding zoom lens at the same focal distance. They are also called "fixed" or "prime" lenses.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Focal Length
24 mm

Focal Length

It is the distance that the light rays need to travel to reach the focal point, that is, the lens sensor.
The smaller the focal distance, the larger the angle of view for the photograph and therefore the lens can capture more of what is in front of us.
Mount
Leica L

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
No

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (1)

5.0
1
5.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Dimitris1780128
    5
    Dimitris1780128

    Verified purchase

    This review is about the mount: Sony E

    It must be my favorite lens for travel. Extremely fast, sharp, and silent. The fully metal construction is flawless. It puts to shame many lenses that cost much more.

    Wide enough to fit buildings and landscapes, but not so wide that distortion becomes a problem. I’ve traveled enough with 35mm and 50mm, and it was often an issue because I couldn’t step back further. For interiors, it’s not wide enough. I would go for around 16mm.

    The size is a bit large, but it doesn’t scare people in street photography if you don’t point it directly at them. You can have them in the frame without them noticing. It looks like a telephoto, and if someone gets suspicious, you can just pretend you’re waiting for them to pass so you can shoot behind/beside them.

    It might be a better idea to go for the f/3.5, which is much smaller and cheaper. Anyway, for landscapes, the lens is usually at f/8 and pre-focused at 3 meters. Most of the time, you don’t even need AF.

    Although at this point, I’d wait to see what Viltrox will release at this focal length in the EVO series

    Translated from Greek ·
    Did you find this review helpful?
  • Dimitris1780128
    5
    Dimitris1780128

    It must be my favorite lens for travel. Extremely fast, sharp, and silent. The fully metal construction is flawless. It puts to shame many lenses that cost much more.

    Wide enough to fit buildings and landscapes, but not so wide that distortion becomes a problem. I’ve traveled enough with 35mm and 50mm, and it was often an issue because I couldn’t step back further. For interiors, it’s not wide enough. I would go for around 16mm.

    The size is a bit large, but it doesn’t scare people in street photography if you don’t point it directly at them. You can have them in the frame without them noticing. It looks like a telephoto, and if someone gets suspicious, you can just pretend you’re waiting for them to pass so you can shoot behind/beside them.

    It might be a better idea to go for the f/3.5, which is much smaller and cheaper. Anyway, for landscapes, the lens is usually at f/8 and pre-focused at 3 meters. Most of the time, you don’t even need AF.

    Although at this point, I’d wait to see what Viltrox will release at this focal length in the EVO series

    Translated from Greek ·
    0
  • See all
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