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Sony Crop Camera Lens 18-200mm F3.5-6.3 Tele Zoom for Sony E Mount Black
Camera Lenses

Sony Crop Camera Lens 18-200mm F3.5-6.3 Tele Zoom for Sony E Mount Black

Zoom Lens E 18–200mm F3.5–6.3 OSS (SEL18200)

The SEL18200 is a versatile zoom lens featuring an Optical SteadyShot image stabilization system with active mode, a valuable feature for shooting videos...

Zoom Lens E 18–200mm F3.5–6.3 OSS (SEL18200)

The SEL18200 is a versatile zoom lens featuring an Optical SteadyShot image stabilization system with active mode, a valuable feature for shooting videos while on the move.

When combined with Sony's E-mount α cameras, the APS-C E-mount lenses deliver top performance.

  • Blur-free photos and videos: The built-in...
See full description See full description

  • Type

    Tele Zoom

    Telephoto lenses with zoom capability and optics that allow photography from a distance.

    Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow for photography from a moderate distance and flatter the subject's features.

    Greater focal lengths are used for wildlife photography, sports events, and generally any subjects where a large distance is required.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Variable Aperture Zoom

    Lenses with variable optics (zoom) that do not remain equally bright (different maximum aperture value) throughout the entire focal distance they offer. Usually significantly cheaper than their equivalent fixed aperture counterparts.

  • Sensor Type

    Crop Frame

    Lenses designed for use on cameras with a crop frame sensor (smaller frame).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • See all
1199 00 €
1,20€ cashback in Coins 1,20€ cashback in Coins
Delivery Mon, 13 Jul - Wed, 15 Jul
Free shipping cost
Sent from Greece
From Aadigitalphoto
Greece
1 piece
See Cameras & Photo Accessories on the page of Aadigitalphoto
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Product report

Description

Description

Zoom Lens E 18–200mm F3.5–6.3 OSS (SEL18200)

The SEL18200 is a versatile zoom lens featuring an Optical SteadyShot™ image stabilization system with active mode, a valuable feature for shooting videos while on the move.

When combined with Sony's E-mount α cameras, the APS-C E-mount lenses deliver top performance.

  • Blur-free photos and videos: The built-in Optical SteadyShot™ image stabilization system with active mode ensures absolutely sharp, blur-free images.
  • Smooth defocusing: 7-blade circular aperture for more natural and smooth background defocusing (bokeh).
  • Higher optical performance: Aspherical lens elements minimize distortion, while ED glass elements provide top-notch contrast and resolution.
  • Fast, versatile focusing: The internal focusing mechanism offers faster response in autofocus.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Tele Zoom

Type

Tele Zoom

Telephoto lenses with zoom capability and optics that allow photography from a distance.

Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow for photography from a moderate distance and flatter the subject's features.

Greater focal lengths are used for wildlife photography, sports events, and generally any subjects where a large distance is required.
Lens Type
Variable Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Variable Aperture Zoom
Lenses with variable optics (zoom) that do not remain equally bright (different maximum aperture value) throughout the entire focal distance they offer. Usually significantly cheaper than their equivalent fixed aperture counterparts.
Sensor Type
Crop Frame

Sensor Type

Crop Frame

Lenses designed for use on cameras with a crop frame sensor (smaller frame).
Maximum Aperture (f)
3.5 - 6.3

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22 - 40

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
67 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
18 - 200 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
649 gr
Mount
Sony E

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (1)

Reviews

1
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There are no verified reviews
Review this product
  1. 1
  2. 4 stars
    0
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  • xanthoulis
    5
    9 out of 9 members found this review helpful
    xanthoulis

    A lens that has been working continuously for 6+ years on a nex vg30 and since last year on an a7iii and a6300. Reliable, fast, with 3 speed settings and a top-notch servo zoom, good stabilization. A very good choice for video and cinematography, especially with mirrorless cameras that excel in autofocus, although the manual focus has a very good response and feel. It has also been used for photography with manual zoom, which, with clear image zoom x2 (for extra reach) in raw quality, gives satisfactory results even in printing. In mirrorless cameras, it works steadily at f5 or f5.6, provided that your setup has been worked out before shooting (positioning, framing, composition, full zoom out to subject, follow subject, etc.) so as to give you sharpness and stability in exposure (f5 steady with f6.3 at full zoom have a big difference!). In daylight conditions, you can be at ease at f6.3 and above, wherever you are. This lens has been handheld for 60% of the shots, with a corresponding cinematic aesthetic, working flawlessly in all conditions (all seasons, day and night), despite not being weather-sealed. The zoom barrel is solid like a bat in telezoom. It may fit and balance on a gimbal like the DJI Ronin SC, but not perfectly. The only issue is with backfocus, only in video cameras and only when doing long static shots, for example, video timelapse on a tripod. I hope I helped, and for anyone considering getting a wide-angle and telezoom lens, this is the way to go, as its servo and build quality are top-notch in the market.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • xanthoulis
    5
    xanthoulis

    A lens that has been working continuously for 6+ years on a nex vg30 and since last year on an a7iii and a6300. Reliable, fast, with 3 speed settings and a top-notch servo zoom, good stabilization. A very good choice for video and cinematography, especially with mirrorless cameras that excel in autofocus, although the manual focus has a very good response and feel. It has also been used for photography with manual zoom, which, with clear image zoom x2 (for extra reach) in raw quality, gives satisfactory results even in printing. In mirrorless cameras, it works steadily at f5 or f5.6, provided that your setup has been worked out before shooting (positioning, framing, composition, full zoom out to subject, follow subject, etc.) so as to give you sharpness and stability in exposure (f5 steady with f6.3 at full zoom have a big difference!). In daylight conditions, you can be at ease at f6.3 and above, wherever you are. This lens has been handheld for 60% of the shots, with a corresponding cinematic aesthetic, working flawlessly in all conditions (all seasons, day and night), despite not being weather-sealed. The zoom barrel is solid like a bat in telezoom. It may fit and balance on a gimbal like the DJI Ronin SC, but not perfectly. The only issue is with backfocus, only in video cameras and only when doing long static shots, for example, video timelapse on a tripod. I hope I helped, and for anyone considering getting a wide-angle and telezoom lens, this is the way to go, as its servo and build quality are top-notch in the market.

    Translated from Greek ·
    9
  • See all
Questions

Questions

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2 users have this product and can help you

Ask for the product

Description & Specifications

Zoom Lens E 18–200mm F3.5–6.3 OSS (SEL18200)

The SEL18200 is a versatile zoom lens featuring an Optical SteadyShot™ image stabilization system with active mode, a valuable feature for shooting videos while on the move.

When combined with Sony's E-mount α cameras, the APS-C E-mount lenses deliver top performance.

  • Blur-free photos and videos: The built-in Optical SteadyShot™ image stabilization system with active mode ensures absolutely sharp, blur-free images.
  • Smooth defocusing: 7-blade circular aperture for more natural and smooth background defocusing (bokeh).
  • Higher optical performance: Aspherical lens elements minimize distortion, while ED glass elements provide top-notch contrast and resolution.
  • Fast, versatile focusing: The internal focusing mechanism offers faster response in autofocus.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Tele Zoom

Type

Tele Zoom

Telephoto lenses with zoom capability and optics that allow photography from a distance.

Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow for photography from a moderate distance and flatter the subject's features.

Greater focal lengths are used for wildlife photography, sports events, and generally any subjects where a large distance is required.
Lens Type
Variable Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Variable Aperture Zoom
Lenses with variable optics (zoom) that do not remain equally bright (different maximum aperture value) throughout the entire focal distance they offer. Usually significantly cheaper than their equivalent fixed aperture counterparts.
Sensor Type
Crop Frame

Sensor Type

Crop Frame

Lenses designed for use on cameras with a crop frame sensor (smaller frame).
Maximum Aperture (f)
3.5 - 6.3

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22 - 40

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
67 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
18 - 200 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
649 gr
Mount
Sony E

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
-

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (1)

1
0.0
There are no verified reviews
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • xanthoulis
    5
    9 out of 9 members found this review helpful
    xanthoulis

    A lens that has been working continuously for 6+ years on a nex vg30 and since last year on an a7iii and a6300. Reliable, fast, with 3 speed settings and a top-notch servo zoom, good stabilization. A very good choice for video and cinematography, especially with mirrorless cameras that excel in autofocus, although the manual focus has a very good response and feel. It has also been used for photography with manual zoom, which, with clear image zoom x2 (for extra reach) in raw quality, gives satisfactory results even in printing. In mirrorless cameras, it works steadily at f5 or f5.6, provided that your setup has been worked out before shooting (positioning, framing, composition, full zoom out to subject, follow subject, etc.) so as to give you sharpness and stability in exposure (f5 steady with f6.3 at full zoom have a big difference!). In daylight conditions, you can be at ease at f6.3 and above, wherever you are. This lens has been handheld for 60% of the shots, with a corresponding cinematic aesthetic, working flawlessly in all conditions (all seasons, day and night), despite not being weather-sealed. The zoom barrel is solid like a bat in telezoom. It may fit and balance on a gimbal like the DJI Ronin SC, but not perfectly. The only issue is with backfocus, only in video cameras and only when doing long static shots, for example, video timelapse on a tripod. I hope I helped, and for anyone considering getting a wide-angle and telezoom lens, this is the way to go, as its servo and build quality are top-notch in the market.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • xanthoulis
    5
    xanthoulis

    A lens that has been working continuously for 6+ years on a nex vg30 and since last year on an a7iii and a6300. Reliable, fast, with 3 speed settings and a top-notch servo zoom, good stabilization. A very good choice for video and cinematography, especially with mirrorless cameras that excel in autofocus, although the manual focus has a very good response and feel. It has also been used for photography with manual zoom, which, with clear image zoom x2 (for extra reach) in raw quality, gives satisfactory results even in printing. In mirrorless cameras, it works steadily at f5 or f5.6, provided that your setup has been worked out before shooting (positioning, framing, composition, full zoom out to subject, follow subject, etc.) so as to give you sharpness and stability in exposure (f5 steady with f6.3 at full zoom have a big difference!). In daylight conditions, you can be at ease at f6.3 and above, wherever you are. This lens has been handheld for 60% of the shots, with a corresponding cinematic aesthetic, working flawlessly in all conditions (all seasons, day and night), despite not being weather-sealed. The zoom barrel is solid like a bat in telezoom. It may fit and balance on a gimbal like the DJI Ronin SC, but not perfectly. The only issue is with backfocus, only in video cameras and only when doing long static shots, for example, video timelapse on a tripod. I hope I helped, and for anyone considering getting a wide-angle and telezoom lens, this is the way to go, as its servo and build quality are top-notch in the market.

    Translated from Greek ·
    9
  • See all
1.199,00 €
Free   shipping cost