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Full Frame Camera Lens AT-X 24-70mm f/2.8 PRO FX Standard Zoom for Canon EF Mount Black

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Camera Lenses

Full Frame Camera Lens AT-X 24-70mm f/2.8 PRO FX Standard Zoom for Canon EF Mount Black

The Tokina AT-X 24-70mm f/2.8 PRO FX is a constant-aperture zoom lens for Canon cameras with a full-frame sensor. Its construction includes three aspherical glass elements, including a large Super-Low...

The Tokina AT-X 24-70mm f/2.8 PRO FX is a constant-aperture zoom lens for Canon cameras with a full-frame sensor. Its construction includes three aspherical glass elements, including a large Super-Low Dispersion (SD) glass element, as well as three SD elements in the rear groups to control chromatic aberrations. It features an SDM (Silent Drive-Module) motor...

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Top specs

  • Type

    Standard Zoom

    The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
690 00 €
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Delivery Friday, 13 November
Free shipping cost
Sent from Greece
From Aadigitalphoto 4.9 (6)
4.9 (6 reviews)
Greece
1 piece
See Cameras & Photo Accessories on the page of Aadigitalphoto

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Product report

Description

Description

The Tokina AT-X 24-70mm f/2.8 PRO FX is a constant-aperture zoom lens for Canon cameras with a full-frame sensor. Its construction includes three aspherical glass elements, including a large Super-Low Dispersion (SD) glass element, as well as three SD elements in the rear groups to control chromatic aberrations. It features an SDM (Silent Drive-Module) motor for quieter autofocus and a One-touch Focus Clutch mechanism for switching between autofocus and manual focus.

  • Type: Standard Zoom
  • Lens type: Constant-aperture zoom
  • Mount: Canon EF
  • Sensor type: Full Frame
  • Focal length: 24 - 70 mm
  • Maximum aperture: f/2.8
  • Minimum aperture: f/22
  • Autofocus: Yes
  • Filter diameter: 82 mm
  • Weight: 1000 g
  • Color: Black
  • Uses: Landscape photography, video production, wildlife and sports

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Standard Zoom

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
24 - 70 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
1000 gr
Mount
Canon EF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

3.0
2
3.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 1
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • antonis_argiridis
    5
    1 out of 1 members found this review helpful
    antonis_argiridis
    This review is about the mount: Nikon F

    Excellent lens and excellent image quality. Construction quality that simply does not exist and is also evident from its weight (1050 gr). The focusing is slow but always accurate, unlike especially the Nikon ones which are fast but approximate. As for the negatives, it does not have image stabilization. It is logical that it may not be suitable for everyone, especially for those who do reporting, but it is excellent for everything else. I have had it for 4 years and it is flawless, replacing the corresponding Nikon lens that broke (lost its alignment). Overall, it is a difficult lens with reversed rings compared to Nikon, but the result is excellent

    Translated from Greek ·
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Noisy
    • Weight
    • Autofocus (AF) speed
    Did you find this review helpful?
  • poimenalex2
    3
    2 out of 2 members found this review helpful
    poimenalex2
    This review is about the mount: Nikon F

    Stay away from this lens, I have been using it for about 3 years and it's not worth its money. It has a very poor autofocus and it focuses very difficultly in contrast light and low lights. Also, there is a batch that came to Greece which is defective, so be careful! The MF ring is quite fragile. It has good sharpness as a lens when it focuses. I recommend avoiding it for professional use, as you will lose good photos because they won't be focused. I have compared it to the Nikon 24-70 2.8 and the difference is huge! It's worth spending more money and getting the Nikon.

    Translated from Greek ·
    • Acidity
    • Construction quality
    • Color Quality
    • Weight
    • Autofocus (AF) speed
    • Value for money
    • Noisy
    Did you find this review helpful?
  • antonis_argiridis
    5
    antonis_argiridis

    Excellent lens and excellent image quality. Construction quality that simply does not exist and is also evident from its weight (1050 gr). The focusing is slow but always accurate, unlike especially the Nikon ones which are fast but approximate. As for the negatives, it does not have image stabilization. It is logical that it may not be suitable for everyone, especially for those who do reporting, but it is excellent for everything else. I have had it for 4 years and it is flawless, replacing the corresponding Nikon lens that broke (lost its alignment). Overall, it is a difficult lens with reversed rings compared to Nikon, but the result is excellent

    Translated from Greek ·
    1
  • poimenalex2
    3
    poimenalex2

    Stay away from this lens, I have been using it for about 3 years and it's not worth its money. It has a very poor autofocus and it focuses very difficultly in contrast light and low lights. Also, there is a batch that came to Greece which is defective, so be careful! The MF ring is quite fragile. It has good sharpness as a lens when it focuses. I recommend avoiding it for professional use, as you will lose good photos because they won't be focused. I have compared it to the Nikon 24-70 2.8 and the difference is huge! It's worth spending more money and getting the Nikon.

    Translated from Greek ·
    2
  • See all
Questions

Questions

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Those users who have this product can help you

Ask for the product

Description & Specifications

The Tokina AT-X 24-70mm f/2.8 PRO FX is a constant-aperture zoom lens for Canon cameras with a full-frame sensor. Its construction includes three aspherical glass elements, including a large Super-Low Dispersion (SD) glass element, as well as three SD elements in the rear groups to control chromatic aberrations. It features an SDM (Silent Drive-Module) motor for quieter autofocus and a One-touch Focus Clutch mechanism for switching between autofocus and manual focus.

  • Type: Standard Zoom
  • Lens type: Constant-aperture zoom
  • Mount: Canon EF
  • Sensor type: Full Frame
  • Focal length: 24 - 70 mm
  • Maximum aperture: f/2.8
  • Minimum aperture: f/22
  • Autofocus: Yes
  • Filter diameter: 82 mm
  • Weight: 1000 g
  • Color: Black
  • Uses: Landscape photography, video production, wildlife and sports

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Standard Zoom

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
82 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
24 - 70 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
1000 gr
Mount
Canon EF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

3.0
2
3.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 1
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • antonis_argiridis
    5
    1 out of 1 members found this review helpful
    antonis_argiridis
    This review is about the mount: Nikon F

    Excellent lens and excellent image quality. Construction quality that simply does not exist and is also evident from its weight (1050 gr). The focusing is slow but always accurate, unlike especially the Nikon ones which are fast but approximate. As for the negatives, it does not have image stabilization. It is logical that it may not be suitable for everyone, especially for those who do reporting, but it is excellent for everything else. I have had it for 4 years and it is flawless, replacing the corresponding Nikon lens that broke (lost its alignment). Overall, it is a difficult lens with reversed rings compared to Nikon, but the result is excellent

    Translated from Greek ·
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Noisy
    • Weight
    • Autofocus (AF) speed
    Did you find this review helpful?
  • poimenalex2
    3
    2 out of 2 members found this review helpful
    poimenalex2
    This review is about the mount: Nikon F

    Stay away from this lens, I have been using it for about 3 years and it's not worth its money. It has a very poor autofocus and it focuses very difficultly in contrast light and low lights. Also, there is a batch that came to Greece which is defective, so be careful! The MF ring is quite fragile. It has good sharpness as a lens when it focuses. I recommend avoiding it for professional use, as you will lose good photos because they won't be focused. I have compared it to the Nikon 24-70 2.8 and the difference is huge! It's worth spending more money and getting the Nikon.

    Translated from Greek ·
    • Acidity
    • Construction quality
    • Color Quality
    • Weight
    • Autofocus (AF) speed
    • Value for money
    • Noisy
    Did you find this review helpful?
  • antonis_argiridis
    5
    antonis_argiridis

    Excellent lens and excellent image quality. Construction quality that simply does not exist and is also evident from its weight (1050 gr). The focusing is slow but always accurate, unlike especially the Nikon ones which are fast but approximate. As for the negatives, it does not have image stabilization. It is logical that it may not be suitable for everyone, especially for those who do reporting, but it is excellent for everything else. I have had it for 4 years and it is flawless, replacing the corresponding Nikon lens that broke (lost its alignment). Overall, it is a difficult lens with reversed rings compared to Nikon, but the result is excellent

    Translated from Greek ·
    1
  • poimenalex2
    3
    poimenalex2

    Stay away from this lens, I have been using it for about 3 years and it's not worth its money. It has a very poor autofocus and it focuses very difficultly in contrast light and low lights. Also, there is a batch that came to Greece which is defective, so be careful! The MF ring is quite fragile. It has good sharpness as a lens when it focuses. I recommend avoiding it for professional use, as you will lose good photos because they won't be focused. I have compared it to the Nikon 24-70 2.8 and the difference is huge! It's worth spending more money and getting the Nikon.

    Translated from Greek ·
    2
  • See all
690,00 €
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Tokina