Skroutz.cy

Full Frame Camera Lens Nikkor Z 14-24mm f/2.8 S Ultra-Wide Zoom for Z Mount Black
Camera Lenses

Full Frame Camera Lens Nikkor Z 14-24mm f/2.8 S Ultra-Wide Zoom for Z Mount Black

Key features:

  • Focal length range 14-24mm
  • Constant f/2.8 aperture
  • Nikon Z mount
  • Minimum focusing distance 0.28m
  • Dust and moisture protection
  • Weighs just 650g
See full description

Top specs

  • Type

    Ultra-Wide Zoom

    Ultra-wide angle lenses with zoom capability and a shooting angle of approximately 180°. They have a strong distortion effect which is usually the desired effect. Their focal distance usually starts from 15-23mm in full frame, 8-15mm in crop frame, and 30-45mm in medium format.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
What if it breaks?

You're covered by the statutory 2-year warranty. Contact us and we'll handle the entire process with the store, ensuring your issue is resolved with prompt support through a repair, replacement, or refund. Learn more

What if I change my mind?

No problem, as long as it's within 14 days. We'll come pick it up or you can choose the Skroutz Point that suits you, completely free for up to 2 times per year, and we'll refund your money. Get Skroutz Plus to enjoy unlimited free returns.

Learn more about invoicing
Product report

Description

Description

The Nikon Nikkor Z 14-24mm f/2.8 S is an ultra-wide-angle zoom lens for full-frame mirrorless cameras. It delivers outstanding optical performance, fast and silent focusing, advanced anti-reflective coatings, and a durable, weather-sealed construction in an exceptionally compact body.

Ultra-Wide-Angle 14–24mm Zoom Lens with a Constant f/2.8 Aperture

The lens covers a 14–24mm focal-length range with a constant maximum aperture of f/2.8, offering exciting possibilities for photographing landscapes, architecture, and interiors. The wide Z mount ensures excellent light transmission and consistent sharpness from the center to the edges of the frame, rivaling the performance of prime lenses.

Advanced Coatings & Color Fidelity

The optical design consists of 16 elements in 11 groups, including 4 ED elements and 3 aspherical elements. Advanced Nano Crystal Coat and ARNEO Coat technologies dramatically reduce internal reflections, ghosting and flare, enabling faithful reproduction of point light sources, such as stars in night photography.

Fast Focusing & Optimal Smoothness

The internal focusing system offers fast, precise, and virtually silent operation, making the lens ideal for both photography and video recording. The minimum focusing distance is just 0.28m, while the zoom and focus rings are adjusted to provide the right amount of resistance for stable, precise control while shooting.

Extremely Compact & Ready-to-Use Filter System

Weighing just 650g and measuring 88.5 x 124.5 mm, it is one of the smallest and lightest lenses in its class. Despite its wide-angle design, it supports the use of screw-in filters with a diameter of 112mm when used with the special lens hood, and also features a rear slot for gel filters.

Weather Sealing & Fluorine Coating

Extensive sealing around all moving parts protects the lens from dust and moisture, allowing it to be used in harsh environmental conditions. The front element features a special fluorine coating that repels water and dirt, making it easier to clean, while the aluminum mount provides high durability.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Ultra-Wide Zoom

Type

Ultra-Wide Zoom
Ultra-wide angle lenses with zoom capability and a shooting angle of approximately 180°. They have a strong distortion effect which is usually the desired effect. Their focal distance usually starts from 15-23mm in full frame, 8-15mm in crop frame, and 30-45mm in medium format.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
112 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
14 - 24 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
650 gr
Mount
Nikon Z

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

5.0
2
5.0
Review this product
  1. 2
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • johnktistis
    5
    johnktistis

    For comparison with the 14-30 f4. Better sharpness, more light, and definitely less distortion on the verticals and horizontals for those who want architectural shots.
    2) I was considering the 16-30 Tamron but didn't get it because 2a) Nikon corrects distortions on camera while Tamron only in Lightroom, and I read about some issues (small but existent). 2b) Those 2mm make a difference in small spaces like bathrooms, and generally, not just there. Keep in mind that you will need to crop at some point due to correcting verticals and horizontals, so you should consider that in the end you will have a photo around 18mm, just like with the Nikon 16mm (random values, I just mean the photo will end up smaller).

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    Mixalis_Fragoulopoulos6713

    Excellent lens, sharp, fast autofocus, lightweight!

    Translated from Greek ·
    Did you find this review helpful?
  • johnktistis
    5
    johnktistis

    For comparison with the 14-30 f4. Better sharpness, more light, and definitely less distortion on the verticals and horizontals for those who want architectural shots.
    2) I was considering the 16-30 Tamron but didn't get it because 2a) Nikon corrects distortions on camera while Tamron only in Lightroom, and I read about some issues (small but existent). 2b) Those 2mm make a difference in small spaces like bathrooms, and generally, not just there. Keep in mind that you will need to crop at some point due to correcting verticals and horizontals, so you should consider that in the end you will have a photo around 18mm, just like with the Nikon 16mm (random values, I just mean the photo will end up smaller).

    Translated from Greek ·
    0
  • 5
    Mixalis_Fragoulopoulos6713

    Excellent lens, sharp, fast autofocus, lightweight!

    Translated from Greek ·
    0
  • See all
Questions

Questions

Do you have a question about the product?

3 users have this product and can help you

Ask for the product

Description & Specifications

The Nikon Nikkor Z 14-24mm f/2.8 S is an ultra-wide-angle zoom lens for full-frame mirrorless cameras. It delivers outstanding optical performance, fast and silent focusing, advanced anti-reflective coatings, and a durable, weather-sealed construction in an exceptionally compact body.

Ultra-Wide-Angle 14–24mm Zoom Lens with a Constant f/2.8 Aperture

The lens covers a 14–24mm focal-length range with a constant maximum aperture of f/2.8, offering exciting possibilities for photographing landscapes, architecture, and interiors. The wide Z mount ensures excellent light transmission and consistent sharpness from the center to the edges of the frame, rivaling the performance of prime lenses.

Advanced Coatings & Color Fidelity

The optical design consists of 16 elements in 11 groups, including 4 ED elements and 3 aspherical elements. Advanced Nano Crystal Coat and ARNEO Coat technologies dramatically reduce internal reflections, ghosting and flare, enabling faithful reproduction of point light sources, such as stars in night photography.

Fast Focusing & Optimal Smoothness

The internal focusing system offers fast, precise, and virtually silent operation, making the lens ideal for both photography and video recording. The minimum focusing distance is just 0.28m, while the zoom and focus rings are adjusted to provide the right amount of resistance for stable, precise control while shooting.

Extremely Compact & Ready-to-Use Filter System

Weighing just 650g and measuring 88.5 x 124.5 mm, it is one of the smallest and lightest lenses in its class. Despite its wide-angle design, it supports the use of screw-in filters with a diameter of 112mm when used with the special lens hood, and also features a rear slot for gel filters.

Weather Sealing & Fluorine Coating

Extensive sealing around all moving parts protects the lens from dust and moisture, allowing it to be used in harsh environmental conditions. The front element features a special fluorine coating that repels water and dirt, making it easier to clean, while the aluminum mount provides high durability.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Ultra-Wide Zoom

Type

Ultra-Wide Zoom
Ultra-wide angle lenses with zoom capability and a shooting angle of approximately 180°. They have a strong distortion effect which is usually the desired effect. Their focal distance usually starts from 15-23mm in full frame, 8-15mm in crop frame, and 30-45mm in medium format.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
112 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
14 - 24 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
650 gr
Mount
Nikon Z

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

5.0
2
5.0
Review this product
  1. 2
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • johnktistis
    5
    johnktistis

    For comparison with the 14-30 f4. Better sharpness, more light, and definitely less distortion on the verticals and horizontals for those who want architectural shots.
    2) I was considering the 16-30 Tamron but didn't get it because 2a) Nikon corrects distortions on camera while Tamron only in Lightroom, and I read about some issues (small but existent). 2b) Those 2mm make a difference in small spaces like bathrooms, and generally, not just there. Keep in mind that you will need to crop at some point due to correcting verticals and horizontals, so you should consider that in the end you will have a photo around 18mm, just like with the Nikon 16mm (random values, I just mean the photo will end up smaller).

    Translated from Greek ·
    Did you find this review helpful?
  • 5
    Mixalis_Fragoulopoulos6713

    Excellent lens, sharp, fast autofocus, lightweight!

    Translated from Greek ·
    Did you find this review helpful?
  • johnktistis
    5
    johnktistis

    For comparison with the 14-30 f4. Better sharpness, more light, and definitely less distortion on the verticals and horizontals for those who want architectural shots.
    2) I was considering the 16-30 Tamron but didn't get it because 2a) Nikon corrects distortions on camera while Tamron only in Lightroom, and I read about some issues (small but existent). 2b) Those 2mm make a difference in small spaces like bathrooms, and generally, not just there. Keep in mind that you will need to crop at some point due to correcting verticals and horizontals, so you should consider that in the end you will have a photo around 18mm, just like with the Nikon 16mm (random values, I just mean the photo will end up smaller).

    Translated from Greek ·
    0
  • 5
    Mixalis_Fragoulopoulos6713

    Excellent lens, sharp, fast autofocus, lightweight!

    Translated from Greek ·
    0
  • See all
2.719,00 €
Free   shipping cost
Nikon