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Canon Full Frame Camera Lens 70-200mm f/2.8L IS USM Tele Zoom / Telephoto for Canon RF Mount White
Camera Lenses

Canon Full Frame Camera Lens 70-200mm f/2.8L IS USM Tele Zoom / Telephoto for Canon RF Mount White

Capture the world with stunning flexibility and quality thanks to the ultra-compact Canon RF 70-200 f/2.8L IS USM telephoto lens, which features a built-in five-stop image stabilizer and ensures...

Capture the world with stunning flexibility and quality thanks to the ultra-compact Canon RF 70-200 f/2.8L IS USM telephoto lens, which features a built-in five-stop image stabilizer and ensures exceptional results in handheld shooting, with faster autofocus than ever before.

Uncompromising design and impressive image quality. This high-performance F2.8 zoom...

See full description See full description

Top specs

  • Type

    Tele Zoom

    Telephoto lenses with zoom capability and optics that allow photography from a distance.

    Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow for photography from a moderate distance and flatter the subject's features.

    Greater focal lengths are used for wildlife photography, sports events, and generally any subjects where a large distance is required.

    Telephoto

    Telephoto lenses offer optical zoom that allows photography from a distance. Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow photography from a medium distance and flatter the subject's features. Larger focal lengths are used for wildlife photography, sports events, and generally for all subjects that require a greater distance.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
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Product report

Description

Description

Capture the world with stunning flexibility and quality thanks to the ultra-compact Canon RF 70-200 f/2.8L IS USM telephoto lens, which features a built-in five-stop image stabilizer and ensures exceptional results in handheld shooting, with faster autofocus than ever before.

Uncompromising design and impressive image quality. This high-performance F2.8 zoom telephoto lens is one of the three top lenses in the RF series, offering stunning image quality in a compact body and designed to perform in all conditions.

Create incredible details and motion filled with colors and contrasts every day with the 70-200mm lens's field of view.

  • Dust/moisture resistance
  • Filter diameter (mm): 77
  • Max. diameter x length (mm): 89.9 x 146
  • Weight (g): 1070
  • F2.8: Performance in low light conditions and shallow depth of field
  • Dual Nano USM motor
  • 5-stop image stabilizer
  • Lens control ring
  • Image size: Full frame
  • Angle of view (horizontal, vertical, diagonal): 29°–10°, 19° 30' - 7°, 34°–12°
  • Lens construction (elements/groups): 17/13
  • No. of diaphragm blades: 9
  • Minimum aperture: 32
  • Minimum focusing distance (m): 0.70
  • Maximum magnification (x): 0.23x

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Tele Zoom, Telephoto

Type

Tele Zoom

Telephoto lenses with zoom capability and optics that allow photography from a distance.

Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow for photography from a moderate distance and flatter the subject's features.

Greater focal lengths are used for wildlife photography, sports events, and generally any subjects where a large distance is required.

Telephoto
Telephoto lenses offer optical zoom that allows photography from a distance. Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow photography from a medium distance and flatter the subject's features. Larger focal lengths are used for wildlife photography, sports events, and generally for all subjects that require a greater distance.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
32

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
77 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
70 - 200 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
1070 gr
Mount
Canon RF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
White

Features & Functions

Image Stabilization
Yes

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
No

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (4)

Reviews

4.8
4
4.8
Review this product
  1. 3
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money
  • Weight

Reviews photos

Reviews photos
Reviews photos
Reviews photos
Reviews photos
Reviews photos
Reviews photos

Reviews by our members

  • Stelios tsipis
    4
    6 out of 6 members found this review helpful
    Stelios tsipis

    The 70-200 mm 2.8 is a must-have for any photographer or videographer, so the RF is a wonderful zoom lens with amazing color performance, very fast focusing, lightweight, and very compact at 70 millimeters when closed, making it extremely easy to carry, especially for travel—you will love it. The only downside I find with this particular lens is the noise caused by the AF; I always compare it to the corresponding G Master lenses from Sony, which I also work with. Recently, Canon released a new series aimed primarily at video without the extension of the barrel, which is simply enormous and with an outrageous price close to €4000—it's laughable, even cauliflowers are laughing at Canon; even serious cine lenses don't cost that much, to say the least. Anyway, if you work with RF systems, my opinion is to get this one here, don't think about it at all; it's wonderful even for video, and as for the noise, you just get sound from another source and the matter is settled. I'm uploading some photos taken with the 70-200 with the R6 and one with the brand new R5 II, which combo is simply incredible. Happy shooting and enjoy working with your favorite lenses and cameras.

    Translated from Greek ·
    Did you find this review helpful?
  • zipo
    5
    4 out of 5 members found this review helpful
    zipo

    This lens has excellent build quality throughout. The size is incredible, making it easy to fit in a bag or carry around with a camera, even around the neck. The autofocus with the Canon R6 is instant, making it ideal for fast-moving subjects. The autofocus system in video mode is silent, but in photography and very quiet environments, you will hear it focusing, making a slightly more pronounced sound than the RF 24-70 f/2.8 L. The sharpness is perfect and the bokeh quality is exceptional. The stabilization is also flawless. In conclusion, the size alone (for a 70-200 f/2.8) makes it the best 70-200 lens in my opinion, especially when intending to use it for travel. Apart from its size and low weight for a 70-200 lens, it also has excellent sharpness and instant autofocus.

    Only time will tell if it is truly resistant to dust.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • G_Papas
    5
    0 out of 1 members found this review helpful
    G_Papas

    The best lens of Canon in this category. Incredible auto-focus, great sharpness and clarity. Unfortunately, it has several plastic parts which, however, reduce the weight.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • sotiris_giannikas
    5
    sotiris_giannikas

    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
  • Stelios tsipis
    4
    Stelios tsipis

    The 70-200 mm 2.8 is a must-have for any photographer or videographer, so the RF is a wonderful zoom lens with amazing color performance, very fast focusing, lightweight, and very compact at 70 millimeters when closed, making it extremely easy to carry, especially for travel—you will love it. The only downside I find with this particular lens is the noise caused by the AF; I always compare it to the corresponding G Master lenses from Sony, which I also work with. Recently, Canon released a new series aimed primarily at video without the extension of the barrel, which is simply enormous and with an outrageous price close to €4000—it's laughable, even cauliflowers are laughing at Canon; even serious cine lenses don't cost that much, to say the least. Anyway, if you work with RF systems, my opinion is to get this one here, don't think about it at all; it's wonderful even for video, and as for the noise, you just get sound from another source and the matter is settled. I'm uploading some photos taken with the 70-200 with the R6 and one with the brand new R5 II, which combo is simply incredible. Happy shooting and enjoy working with your favorite lenses and cameras.

    Translated from Greek ·
    6
  • zipo
    5
    zipo

    This lens has excellent build quality throughout. The size is incredible, making it easy to fit in a bag or carry around with a camera, even around the neck. The autofocus with the Canon R6 is instant, making it ideal for fast-moving subjects. The autofocus system in video mode is silent, but in photography and very quiet environments, you will hear it focusing, making a slightly more pronounced sound than the RF 24-70 f/2.8 L. The sharpness is perfect and the bokeh quality is exceptional. The stabilization is also flawless. In conclusion, the size alone (for a 70-200 f/2.8) makes it the best 70-200 lens in my opinion, especially when intending to use it for travel. Apart from its size and low weight for a 70-200 lens, it also has excellent sharpness and instant autofocus.

    Only time will tell if it is truly resistant to dust.

    Translated from Greek ·
    4
  • G_Papas
    5
    G_Papas

    The best lens of Canon in this category. Incredible auto-focus, great sharpness and clarity. Unfortunately, it has several plastic parts which, however, reduce the weight.

    Translated from Greek ·
    0
  • sotiris_giannikas
    5
    sotiris_giannikas

    0
  • See all
Questions (1)

Questions

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Description & Specifications

Capture the world with stunning flexibility and quality thanks to the ultra-compact Canon RF 70-200 f/2.8L IS USM telephoto lens, which features a built-in five-stop image stabilizer and ensures exceptional results in handheld shooting, with faster autofocus than ever before.

Uncompromising design and impressive image quality. This high-performance F2.8 zoom telephoto lens is one of the three top lenses in the RF series, offering stunning image quality in a compact body and designed to perform in all conditions.

Create incredible details and motion filled with colors and contrasts every day with the 70-200mm lens's field of view.

  • Dust/moisture resistance
  • Filter diameter (mm): 77
  • Max. diameter x length (mm): 89.9 x 146
  • Weight (g): 1070
  • F2.8: Performance in low light conditions and shallow depth of field
  • Dual Nano USM motor
  • 5-stop image stabilizer
  • Lens control ring
  • Image size: Full frame
  • Angle of view (horizontal, vertical, diagonal): 29°–10°, 19° 30' - 7°, 34°–12°
  • Lens construction (elements/groups): 17/13
  • No. of diaphragm blades: 9
  • Minimum aperture: 32
  • Minimum focusing distance (m): 0.70
  • Maximum magnification (x): 0.23x

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Tele Zoom, Telephoto

Type

Tele Zoom

Telephoto lenses with zoom capability and optics that allow photography from a distance.

Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow for photography from a moderate distance and flatter the subject's features.

Greater focal lengths are used for wildlife photography, sports events, and generally any subjects where a large distance is required.

Telephoto
Telephoto lenses offer optical zoom that allows photography from a distance. Lenses with a focal length of 80-135mm on full frame, 50-75mm on crop frame, and 120-180mm on medium format are ideal for portrait photography as they allow photography from a medium distance and flatter the subject's features. Larger focal lengths are used for wildlife photography, sports events, and generally for all subjects that require a greater distance.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
32

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
77 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
70 - 200 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
1070 gr
Mount
Canon RF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
White

Features & Functions

Image Stabilization
Yes

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
No

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (4)

4.8
4
4.8
Review this product
  1. 3
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money
  • Weight

Reviews photos

Reviews photos
Reviews photos
Reviews photos
Reviews photos
Reviews photos
Reviews photos

Reviews by our members

  • Stelios tsipis
    4
    6 out of 6 members found this review helpful
    Stelios tsipis

    The 70-200 mm 2.8 is a must-have for any photographer or videographer, so the RF is a wonderful zoom lens with amazing color performance, very fast focusing, lightweight, and very compact at 70 millimeters when closed, making it extremely easy to carry, especially for travel—you will love it. The only downside I find with this particular lens is the noise caused by the AF; I always compare it to the corresponding G Master lenses from Sony, which I also work with. Recently, Canon released a new series aimed primarily at video without the extension of the barrel, which is simply enormous and with an outrageous price close to €4000—it's laughable, even cauliflowers are laughing at Canon; even serious cine lenses don't cost that much, to say the least. Anyway, if you work with RF systems, my opinion is to get this one here, don't think about it at all; it's wonderful even for video, and as for the noise, you just get sound from another source and the matter is settled. I'm uploading some photos taken with the 70-200 with the R6 and one with the brand new R5 II, which combo is simply incredible. Happy shooting and enjoy working with your favorite lenses and cameras.

    Translated from Greek ·
    Did you find this review helpful?
  • zipo
    5
    4 out of 5 members found this review helpful
    zipo

    This lens has excellent build quality throughout. The size is incredible, making it easy to fit in a bag or carry around with a camera, even around the neck. The autofocus with the Canon R6 is instant, making it ideal for fast-moving subjects. The autofocus system in video mode is silent, but in photography and very quiet environments, you will hear it focusing, making a slightly more pronounced sound than the RF 24-70 f/2.8 L. The sharpness is perfect and the bokeh quality is exceptional. The stabilization is also flawless. In conclusion, the size alone (for a 70-200 f/2.8) makes it the best 70-200 lens in my opinion, especially when intending to use it for travel. Apart from its size and low weight for a 70-200 lens, it also has excellent sharpness and instant autofocus.

    Only time will tell if it is truly resistant to dust.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • G_Papas
    5
    0 out of 1 members found this review helpful
    G_Papas

    The best lens of Canon in this category. Incredible auto-focus, great sharpness and clarity. Unfortunately, it has several plastic parts which, however, reduce the weight.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • sotiris_giannikas
    5
    sotiris_giannikas

    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
  • Stelios tsipis
    4
    Stelios tsipis

    The 70-200 mm 2.8 is a must-have for any photographer or videographer, so the RF is a wonderful zoom lens with amazing color performance, very fast focusing, lightweight, and very compact at 70 millimeters when closed, making it extremely easy to carry, especially for travel—you will love it. The only downside I find with this particular lens is the noise caused by the AF; I always compare it to the corresponding G Master lenses from Sony, which I also work with. Recently, Canon released a new series aimed primarily at video without the extension of the barrel, which is simply enormous and with an outrageous price close to €4000—it's laughable, even cauliflowers are laughing at Canon; even serious cine lenses don't cost that much, to say the least. Anyway, if you work with RF systems, my opinion is to get this one here, don't think about it at all; it's wonderful even for video, and as for the noise, you just get sound from another source and the matter is settled. I'm uploading some photos taken with the 70-200 with the R6 and one with the brand new R5 II, which combo is simply incredible. Happy shooting and enjoy working with your favorite lenses and cameras.

    Translated from Greek ·
    6
  • zipo
    5
    zipo

    This lens has excellent build quality throughout. The size is incredible, making it easy to fit in a bag or carry around with a camera, even around the neck. The autofocus with the Canon R6 is instant, making it ideal for fast-moving subjects. The autofocus system in video mode is silent, but in photography and very quiet environments, you will hear it focusing, making a slightly more pronounced sound than the RF 24-70 f/2.8 L. The sharpness is perfect and the bokeh quality is exceptional. The stabilization is also flawless. In conclusion, the size alone (for a 70-200 f/2.8) makes it the best 70-200 lens in my opinion, especially when intending to use it for travel. Apart from its size and low weight for a 70-200 lens, it also has excellent sharpness and instant autofocus.

    Only time will tell if it is truly resistant to dust.

    Translated from Greek ·
    4
  • G_Papas
    5
    G_Papas

    The best lens of Canon in this category. Incredible auto-focus, great sharpness and clarity. Unfortunately, it has several plastic parts which, however, reduce the weight.

    Translated from Greek ·
    0
  • sotiris_giannikas
    5
    sotiris_giannikas

    0
  • See all
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