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Sigma Full Frame Camera Lens 14-24mm f/2.8 DG DN Art Wide Angle Zoom for Leica L Mount Black
Camera Lenses

Sigma Full Frame Camera Lens 14-24mm f/2.8 DG DN Art Wide Angle Zoom for Leica L Mount Black

Zero distortion.

Introducing the new 14-24mm F2.8 DG HSM Art lens as the ultimate wide-angle zoom. It minimizes distortion, offers exceptional F2.8 brightness throughout the zoom range, and delivers...

Zero distortion.

Introducing the new 14-24mm F2.8 DG HSM Art lens as the ultimate wide-angle zoom. It minimizes distortion, offers exceptional F2.8 brightness throughout the zoom range, and delivers top-level image quality at every focal length and shooting distance. For these reasons, it is undeniably an excellent wide-angle zoom lens.

See full description See full description

Top specs

  • Type

    Wide Angle Zoom

    Wide-angle lenses with zoom capability and optics that allow for fitting many elements within the frame with relatively little distortion. Their focal length usually starts from 24-35mm for full frame, 15-25mm for crop frame, and 50-70mm for medium format. 2. They are usually used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
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Product report

Description

Description

Zero distortion.

Introducing the new 14-24mm F2.8 DG HSM Art lens as the ultimate wide-angle zoom. It minimizes distortion, offers exceptional F2.8 brightness throughout the zoom range, and delivers top-level image quality at every focal length and shooting distance. For these reasons, it is undeniably an excellent wide-angle zoom lens.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Wide Angle Zoom

Type

Wide Angle Zoom
Wide-angle lenses with zoom capability and optics that allow for fitting many elements within the frame with relatively little distortion. Their focal length usually starts from 24-35mm for full frame, 15-25mm for crop frame, and 50-70mm for medium format. 2. They are usually used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Focal Length Range
14 - 24 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
795 gr
Mount
Leica L

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

5.0
2
5.0
Review this product
  1. 2
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • gk500
    5
    gk500
    This review is about the mount: Sony E

    Perhaps the best lens for real estate and landscape photography. Clarity throughout the zoom range even at f2.8. Also, with a very low cost, you can add ND filters. On the negative side, I would mention the large weight and bulk.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Autofocus (AF) speed
    • Weight
    Did you find this review helpful?
  • sinkorsin
    5
    0 out of 1 members found this review helpful
    sinkorsin
    This review is about the mount: Sony E

    A very good lens that will definitely not disappoint anyone who buys it. It is not suitable for everything, of course, all experiments are allowed for all situations and conditions, but never does one lens work for everything. Without this discouraging you, get it with your eyes closed

    Translated from Greek ·
    Did you find this review helpful?
  • gk500
    5
    gk500

    Perhaps the best lens for real estate and landscape photography. Clarity throughout the zoom range even at f2.8. Also, with a very low cost, you can add ND filters. On the negative side, I would mention the large weight and bulk.

    Translated from Greek ·
    0
  • sinkorsin
    5
    sinkorsin

    A very good lens that will definitely not disappoint anyone who buys it. It is not suitable for everything, of course, all experiments are allowed for all situations and conditions, but never does one lens work for everything. Without this discouraging you, get it with your eyes closed

    Translated from Greek ·
    0
  • See all
Questions

Questions

Do you have a question about the product?

1 user has this product and can help you

Ask for the product

Description & Specifications

Zero distortion.

Introducing the new 14-24mm F2.8 DG HSM Art lens as the ultimate wide-angle zoom. It minimizes distortion, offers exceptional F2.8 brightness throughout the zoom range, and delivers top-level image quality at every focal length and shooting distance. For these reasons, it is undeniably an excellent wide-angle zoom lens.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Wide Angle Zoom

Type

Wide Angle Zoom
Wide-angle lenses with zoom capability and optics that allow for fitting many elements within the frame with relatively little distortion. Their focal length usually starts from 24-35mm for full frame, 15-25mm for crop frame, and 50-70mm for medium format. 2. They are usually used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2.8

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Focal Length Range
14 - 24 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
795 gr
Mount
Leica L

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

5.0
2
5.0
Review this product
  1. 2
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • gk500
    5
    gk500
    This review is about the mount: Sony E

    Perhaps the best lens for real estate and landscape photography. Clarity throughout the zoom range even at f2.8. Also, with a very low cost, you can add ND filters. On the negative side, I would mention the large weight and bulk.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Autofocus (AF) speed
    • Weight
    Did you find this review helpful?
  • sinkorsin
    5
    0 out of 1 members found this review helpful
    sinkorsin
    This review is about the mount: Sony E

    A very good lens that will definitely not disappoint anyone who buys it. It is not suitable for everything, of course, all experiments are allowed for all situations and conditions, but never does one lens work for everything. Without this discouraging you, get it with your eyes closed

    Translated from Greek ·
    Did you find this review helpful?
  • gk500
    5
    gk500

    Perhaps the best lens for real estate and landscape photography. Clarity throughout the zoom range even at f2.8. Also, with a very low cost, you can add ND filters. On the negative side, I would mention the large weight and bulk.

    Translated from Greek ·
    0
  • sinkorsin
    5
    sinkorsin

    A very good lens that will definitely not disappoint anyone who buys it. It is not suitable for everything, of course, all experiments are allowed for all situations and conditions, but never does one lens work for everything. Without this discouraging you, get it with your eyes closed

    Translated from Greek ·
    0
  • See all
1.499,00 €
Free   shipping cost