Skroutz.cy

Canon Full Frame Camera Lens RF 28-70mm f/2L USM Standard Zoom / Wide Angle for Canon RF Mount Black
Camera Lenses

Canon Full Frame Camera Lens RF 28-70mm f/2L USM Standard Zoom / Wide Angle for Canon RF Mount Black

Advanced L-series zoom lenses with a very fast f/2 aperture and unique image quality. They redefine the image quality of zoom lenses.

The RF 28-70mm f/2L USM lenses offer the image quality you would...

Advanced L-series zoom lenses with a very fast f/2 aperture and unique image quality. They redefine the image quality of zoom lenses.

The RF 28-70mm f/2L USM lenses offer the image quality you would expect from a prime lens and also provide a maximum aperture of f/2 for even greater control and creativity.

Travel with just one zoom lens and save space. The...

See full description See full description

  • Type

    Standard Zoom

    The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.

    Wide Angle

    Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.

  • Mount

    The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

    2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.

  • Item

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

    Fixed Aperture Zoom

    Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

  • Sensor Type

    Full Frame

    Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

    For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

    The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).

  • Maximum Aperture (f)

    Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
    2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
What if it breaks?

You have at least a 2-year warranty. Contact us by phone and we will immediately take care of the repair, replacement or refund of your money, completely free of charge.

What if I change my mind?

No problem, as long as it's within 14 days. We'll come pick it up or you can choose the Skroutz Point that suits you, completely free for up to 2 times per year, and we'll refund your money. Get Skroutz Plus to enjoy unlimited free returns.

Product report

Description

Description

Advanced L-series zoom lenses with a very fast f/2 aperture and unique image quality. They redefine the image quality of zoom lenses.

The RF 28-70mm f/2L USM lenses offer the image quality you would expect from a prime lens and also provide a maximum aperture of f/2 for even greater control and creativity.

Travel with just one zoom lens and save space. The versatile 28-70mm range is useful for photographing a wide variety of subjects, from vast landscapes to portraits, artistic creations, and street photography.

The RF 28-70mm f/2L USM lens features a maximum aperture of f/2, allowing you to control the shallow depth of field in portraits and capture the atmosphere in low light.

The zoom and focal length allow for quick changes in composition and framing, so you can capture every critical moment. Focus and shoot in low light, letting Canon's L-series quality fill you with confidence.

The RF 28-70mm f/2L USM lenses have all the optical, mechanical, and electronic advantages of the EOS R system. You can achieve exceptional image quality, as well as very high sharpness with low levels of distortion.

Focus quickly and almost silently thanks to the advanced ring-type USM AF motor. Combined with the EOS R system's silent shooting technology, photographers can remain discreet.

Enjoy faster shutter speeds and an f/2 aperture that can freeze the motion of the subject and the camera. Thanks to the shallow depth of field, the RF 28-70mm f/2L USM lens is ideal for emphasizing a sharp subject.

The RF 28-70mm f/2L USM lenses feature a customizable lens control ring, allowing photographers to instinctively respond to changing conditions by quickly adjusting various settings.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Type
Standard Zoom, Wide Angle

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
95 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
28 - 70 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
1430 gr
Mount
Canon RF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (7)

Reviews

4.7
7
4.7
Review this product
  1. 4
  2. 3
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Construction quality
  • Color representation
  • Acidity
  • Autofocus (AF) speed
  • Value for money
  • Weight

Reviews photos

Reviews photos
Reviews photos
Reviews photos
Reviews photos
Reviews photos
Reviews photos

Reviews by our members

  • Stelios tsipis
    4
    4 out of 4 members found this review helpful
    Stelios tsipis

    Perhaps one of the best mid-range zoom lenses.
    We are using it with Canon R5II, R6, very sharp lens at all focal lengths, very bright, at 28 it has quite a bit of distortion, as well as its weight is a downside, the focus is also not silent and that's understandable because the glass elements are huge and very heavy so forget about having a microphone on the camera if it's for video.
    I've heard something about Sony's equivalent, lighter, silent, and smaller, personally, since I only deal with video and work with Sony systems like FX3, 6, A7SIII, it will be my first choice when it is released.
    So the RF is very expensive, but it is the epitome of automatic zoom lenses so far among all the mounts.
    If you make money from the subject, you have advanced knowledge in photography and video, if you are a perfectionist or if the budget is not an issue for you, just buy it, otherwise, the 24-70mm f/2.8 is also great, which we have used as well.
    Have a good time and happy shooting!

    Translated from Greek ·
    Did you find this review helpful?
  • kkotanidis
    5
    2 out of 3 members found this review helpful
    kkotanidis

    The name "beast" is not random. We are literally talking about a beast in the Canon RF series. Quite heavy, with a zoom range that covers most of a photographer's needs, even for full coverage of a mystery. The many hours in hand may be a problem for some.

    Awesome build quality.

    The result, if it reaches the right hands, is magical.

    The price in Greece is a bit prohibitive.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • dkardogeros
    5
    11 out of 12 members found this review helpful
    dkardogeros

    Verified purchase

    The photography with the 28-70 is a unique experience. Perhaps the best lens I've ever had!!! The overall weight with the R6 is not discouraging, on the contrary, it gives you a feeling of solidity! Amazing image clarity and sharpness, very beautiful bokeh, of course don't expect to see the creaminess that an 85mm or 50mm at f1.2 leaves. Ideal for fashion and wedding photography. I also benefited from Canon's €200 cash back. The lens is an investment and worth its money.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Weight
    • Autofocus (AF) speed
    Did you find this review helpful?
  • 4
    nikpanda

  • 5
    stathis_pierris

    • Autofocus (AF) speed
    • Acidity
    • Quiet
    • Construction quality
    • Color representation
    • Value for money
    • Weight
  • 5
    kkotanidis15

    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
  • 4
    Panagiotis_Valantopoulos

    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
  • Stelios tsipis
    4
    Stelios tsipis

    Perhaps one of the best mid-range zoom lenses.
    We are using it with Canon R5II, R6, very sharp lens at all focal lengths, very bright, at 28 it has quite a bit of distortion, as well as its weight is a downside, the focus is also not silent and that's understandable because the glass elements are huge and very heavy so forget about having a microphone on the camera if it's for video.
    I've heard something about Sony's equivalent, lighter, silent, and smaller, personally, since I only deal with video and work with Sony systems like FX3, 6, A7SIII, it will be my first choice when it is released.
    So the RF is very expensive, but it is the epitome of automatic zoom lenses so far among all the mounts.
    If you make money from the subject, you have advanced knowledge in photography and video, if you are a perfectionist or if the budget is not an issue for you, just buy it, otherwise, the 24-70mm f/2.8 is also great, which we have used as well.
    Have a good time and happy shooting!

    Translated from Greek ·
    4
  • kkotanidis
    5
    kkotanidis

    The name "beast" is not random. We are literally talking about a beast in the Canon RF series. Quite heavy, with a zoom range that covers most of a photographer's needs, even for full coverage of a mystery. The many hours in hand may be a problem for some.

    Awesome build quality.

    The result, if it reaches the right hands, is magical.

    The price in Greece is a bit prohibitive.

    Translated from Greek ·
    2
  • dkardogeros
    5
    dkardogeros

    The photography with the 28-70 is a unique experience. Perhaps the best lens I've ever had!!! The overall weight with the R6 is not discouraging, on the contrary, it gives you a feeling of solidity! Amazing image clarity and sharpness, very beautiful bokeh, of course don't expect to see the creaminess that an 85mm or 50mm at f1.2 leaves. Ideal for fashion and wedding photography. I also benefited from Canon's €200 cash back. The lens is an investment and worth its money.

    Translated from Greek ·
    11
  • 4
    nikpanda

    0
  • 5
    stathis_pierris

    0
  • See all
Questions

Questions

Do you have a question about the product?

7 users have this product and can help you

Ask for the product

Description & Specifications

Advanced L-series zoom lenses with a very fast f/2 aperture and unique image quality. They redefine the image quality of zoom lenses.

The RF 28-70mm f/2L USM lenses offer the image quality you would expect from a prime lens and also provide a maximum aperture of f/2 for even greater control and creativity.

Travel with just one zoom lens and save space. The versatile 28-70mm range is useful for photographing a wide variety of subjects, from vast landscapes to portraits, artistic creations, and street photography.

The RF 28-70mm f/2L USM lens features a maximum aperture of f/2, allowing you to control the shallow depth of field in portraits and capture the atmosphere in low light.

The zoom and focal length allow for quick changes in composition and framing, so you can capture every critical moment. Focus and shoot in low light, letting Canon's L-series quality fill you with confidence.

The RF 28-70mm f/2L USM lenses have all the optical, mechanical, and electronic advantages of the EOS R system. You can achieve exceptional image quality, as well as very high sharpness with low levels of distortion.

Focus quickly and almost silently thanks to the advanced ring-type USM AF motor. Combined with the EOS R system's silent shooting technology, photographers can remain discreet.

Enjoy faster shutter speeds and an f/2 aperture that can freeze the motion of the subject and the camera. Thanks to the shallow depth of field, the RF 28-70mm f/2L USM lens is ideal for emphasizing a sharp subject.

The RF 28-70mm f/2L USM lenses feature a customizable lens control ring, allowing photographers to instinctively respond to changing conditions by quickly adjusting various settings.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Type
Standard Zoom, Wide Angle

Type

Standard Zoom
The visual they offer is very close to human eyesight and is often referred to as "normal". They provide a natural result with minimal distortions, while also having zoom capability. Their focal distance usually starts from 40-55mm in full frame, 25-40mm in crop frame, and 80-100mm in medium format.
Wide Angle
Wide-angle lenses with optics that allow for fitting many elements within the frame with relatively little distortion. Their focal distance is usually 24-35mm for full-frame, 15-25mm for crop frame, and 50-70mm for medium format. They are commonly used in street photography but also in indoor spaces where there is limited distance from the subject. The perspective of wide-angle lenses makes things appear farther apart than they actually are.
Lens Type
Fixed Aperture Zoom

Lens Type

Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.

Fixed Aperture Zoom
Lenses with variable optical (zoom) that remain equally bright (same maximum aperture value) throughout the entire focal distance range they offer. Usually significantly more expensive than their variable aperture counterparts.
Sensor Type
Full Frame

Sensor Type

Full Frame

Photographic lenses designed for use on full frame sensor cameras. A full frame lens can also be used on a crop frame sensor camera, but with its focal length adjusted according to the corresponding crop factor.

For example, a full frame lens with a focal length of 50mm (standard) on a camera body with a crop factor of 1.6 will function with a perspective as if it were an 80mm lens (telephoto).

The reverse does not work as the optics of a crop frame lens are not sufficient to cover an entire full frame sensor, resulting in the edges of the frame being black (severe vignetting).
Maximum Aperture (f)
2

Maximum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.
2. The most open aperture of a lens is called the maximum. The more open the aperture (smaller f-number), the shallower the depth of field.
Minimum Aperture (f)
22

Minimum Aperture (f)

Opening the diaphragm determines the amount of light received by the camera and affects the depth of field.

2. The smallest diameter of the diaphragm is the minimum value. The more closed the diaphragm (larger f-number), the greater the depth of field.
Filter Diameter
95 mm

Filter Diameter

The diameter that a filter must have to be applied on the lens without the use of an adapter.
Focal Length Range
28 - 70 mm

Focal Length Range

The focal length is the distance from the convergence point of the light rays inside the lens to the camera sensor. As the range increases, we have a smaller field of view.
Weight
1430 gr
Mount
Canon RF

Mount

The type of mount that the camera body must have in order for the lens to be fully functional when attached to it.

2. Some lenses can be used with older mounts from the same manufacturer, sacrificing certain functions (e.g. autofocus), or even with mounts from other manufacturers using an adapter.
Colour
Black

Features & Functions

Image Stabilization
No

Image Stabilization

The lens features image stabilization function for clearer photos and videos when shooting handheld, especially in low light conditions.
Autofocus (AF)
Yes

Autofocus (AF)

The lens has an automatic focusing function. Particularly useful for photographing subjects in motion (e.g. children playing).
3D
No

3D

Lenses for creating stereoscopic images.

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (7)

4.7
7
4.7
Review this product
  1. 4
  2. 3
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Construction quality
  • Color representation
  • Acidity
  • Autofocus (AF) speed
  • Value for money
  • Weight

Reviews photos

Reviews photos
Reviews photos
Reviews photos
Reviews photos
Reviews photos
Reviews photos

Reviews by our members

  • Stelios tsipis
    4
    4 out of 4 members found this review helpful
    Stelios tsipis

    Perhaps one of the best mid-range zoom lenses.
    We are using it with Canon R5II, R6, very sharp lens at all focal lengths, very bright, at 28 it has quite a bit of distortion, as well as its weight is a downside, the focus is also not silent and that's understandable because the glass elements are huge and very heavy so forget about having a microphone on the camera if it's for video.
    I've heard something about Sony's equivalent, lighter, silent, and smaller, personally, since I only deal with video and work with Sony systems like FX3, 6, A7SIII, it will be my first choice when it is released.
    So the RF is very expensive, but it is the epitome of automatic zoom lenses so far among all the mounts.
    If you make money from the subject, you have advanced knowledge in photography and video, if you are a perfectionist or if the budget is not an issue for you, just buy it, otherwise, the 24-70mm f/2.8 is also great, which we have used as well.
    Have a good time and happy shooting!

    Translated from Greek ·
    Did you find this review helpful?
  • kkotanidis
    5
    2 out of 3 members found this review helpful
    kkotanidis

    The name "beast" is not random. We are literally talking about a beast in the Canon RF series. Quite heavy, with a zoom range that covers most of a photographer's needs, even for full coverage of a mystery. The many hours in hand may be a problem for some.

    Awesome build quality.

    The result, if it reaches the right hands, is magical.

    The price in Greece is a bit prohibitive.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
    Did you find this review helpful?
  • dkardogeros
    5
    11 out of 12 members found this review helpful
    dkardogeros

    Verified purchase

    The photography with the 28-70 is a unique experience. Perhaps the best lens I've ever had!!! The overall weight with the R6 is not discouraging, on the contrary, it gives you a feeling of solidity! Amazing image clarity and sharpness, very beautiful bokeh, of course don't expect to see the creaminess that an 85mm or 50mm at f1.2 leaves. Ideal for fashion and wedding photography. I also benefited from Canon's €200 cash back. The lens is an investment and worth its money.

    Translated from Greek ·
    • Quiet
    • Construction quality
    • Color representation
    • Acidity
    • Value for money
    • Weight
    • Autofocus (AF) speed
    Did you find this review helpful?
  • 4
    nikpanda

  • 5
    stathis_pierris

    • Autofocus (AF) speed
    • Acidity
    • Quiet
    • Construction quality
    • Color representation
    • Value for money
    • Weight
  • 5
    kkotanidis15

    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
  • 4
    Panagiotis_Valantopoulos

    • Quiet
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    • Weight
  • Stelios tsipis
    4
    Stelios tsipis

    Perhaps one of the best mid-range zoom lenses.
    We are using it with Canon R5II, R6, very sharp lens at all focal lengths, very bright, at 28 it has quite a bit of distortion, as well as its weight is a downside, the focus is also not silent and that's understandable because the glass elements are huge and very heavy so forget about having a microphone on the camera if it's for video.
    I've heard something about Sony's equivalent, lighter, silent, and smaller, personally, since I only deal with video and work with Sony systems like FX3, 6, A7SIII, it will be my first choice when it is released.
    So the RF is very expensive, but it is the epitome of automatic zoom lenses so far among all the mounts.
    If you make money from the subject, you have advanced knowledge in photography and video, if you are a perfectionist or if the budget is not an issue for you, just buy it, otherwise, the 24-70mm f/2.8 is also great, which we have used as well.
    Have a good time and happy shooting!

    Translated from Greek ·
    4
  • kkotanidis
    5
    kkotanidis

    The name "beast" is not random. We are literally talking about a beast in the Canon RF series. Quite heavy, with a zoom range that covers most of a photographer's needs, even for full coverage of a mystery. The many hours in hand may be a problem for some.

    Awesome build quality.

    The result, if it reaches the right hands, is magical.

    The price in Greece is a bit prohibitive.

    Translated from Greek ·
    2
  • dkardogeros
    5
    dkardogeros

    The photography with the 28-70 is a unique experience. Perhaps the best lens I've ever had!!! The overall weight with the R6 is not discouraging, on the contrary, it gives you a feeling of solidity! Amazing image clarity and sharpness, very beautiful bokeh, of course don't expect to see the creaminess that an 85mm or 50mm at f1.2 leaves. Ideal for fashion and wedding photography. I also benefited from Canon's €200 cash back. The lens is an investment and worth its money.

    Translated from Greek ·
    11
  • 4
    nikpanda

    0
  • 5
    stathis_pierris

    0
  • See all
3.129,00 €
Free   shipping cost