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BY-DMR7 Condenser (Small Diaphragm) Microphone Shock Mounted for Camera in White Color
Microphones

BY-DMR7 Condenser (Small Diaphragm) Microphone Shock Mounted for Camera in White Color

Key features:

  • Cardioid
  • Frequency: 50 Hz to 20 kHz
  • Connector: 3.5mm
  • Power: 2 x AA batteries
See full description

Top specs

  • Type (Directivity)

    Shotgun

    Unidirectional with enhanced forward response. Suitable for stages, television or film sets, as well as for recording from a long distance.
  • Usage Photography & Video
  • Placement Shock Mounted
  • Connectivity 3.5mm, Hot Shoe Mount
  • See all
95 00 €
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Delivery Thursday, 05 November
3,50 € to a Skroutz Point or 4,50 € to an address
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Sent from Greece
From Fotomarket 5.0 (32)
5.0 (32 reviews)
Greece
See Audio on the page of Fotomarket
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Product report

Description

Description

The Boya BY-DMR7 condenser microphone is designed for use with a camera and features a shock mount. Its white finish sets it apart from black models.

  • Microphone type: Condenser
  • Mount: Shock mount
  • Use: For camera
  • Color: White

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Shotgun

Directivity

Shotgun

Unidirectional with enhanced forward response. Suitable for stages, television or film sets, as well as for recording from a long distance.
Frequency
50 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
1000 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Max SPL
110 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
78 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
3.5mm, Hot Shoe Mount

General Characteristics

Device Group
Photography & Video
Placement
Shock Mounted
Vintage
No
Set
No
Color
White

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (1)

Reviews

2.0
1
2.0
Review this product
  1. 5 stars
    0
  2. 4 stars
    0
  3. 3 stars
    0
  4. 1
  5. 1 star
    0
Review this product
  • thanoszachs2o
    2
    thanoszachs2o

    Verified purchase

    I bought it for its supposed directionality. I put it on my camera, thinking... great, I'll avoid lapel microphones! Unfortunately, it was a complete disappointment. You can hear everything. Background noises, side noises, everything in general. Unless there are settings that I haven't discovered yet. I will come back if necessary, or I hope to read experiences from other owners.
    edit 14-3-2024. It becomes directional when you use it alone with a memory card inserted on top of it!!! If you connect it to the camera, it won't give you the sound it should. It will do what I described above.

    Translated from Greek ·
    • Sound quality
    Did you find this review helpful?
  • thanoszachs2o
    2
    thanoszachs2o

    I bought it for its supposed directionality. I put it on my camera, thinking... great, I'll avoid lapel microphones! Unfortunately, it was a complete disappointment. You can hear everything. Background noises, side noises, everything in general. Unless there are settings that I haven't discovered yet. I will come back if necessary, or I hope to read experiences from other owners.
    edit 14-3-2024. It becomes directional when you use it alone with a memory card inserted on top of it!!! If you connect it to the camera, it won't give you the sound it should. It will do what I described above.

    Translated from Greek ·
    0
  • See all
Questions

Questions

Do you have a question about the product?

1 user has this product and can help you

Ask for the product

Description & Specifications

The Boya BY-DMR7 condenser microphone is designed for use with a camera and features a shock mount. Its white finish sets it apart from black models.

  • Microphone type: Condenser
  • Mount: Shock mount
  • Use: For camera
  • Color: White

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Shotgun

Directivity

Shotgun

Unidirectional with enhanced forward response. Suitable for stages, television or film sets, as well as for recording from a long distance.
Frequency
50 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
1000 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Max SPL
110 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
78 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
3.5mm, Hot Shoe Mount

General Characteristics

Device Group
Photography & Video
Placement
Shock Mounted
Vintage
No
Set
No
Color
White

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (1)

2.0
1
2.0
Review this product
  1. 5 stars
    0
  2. 4 stars
    0
  3. 3 stars
    0
  4. 1
  5. 1 star
    0
Review this product
  • thanoszachs2o
    2
    thanoszachs2o

    Verified purchase

    I bought it for its supposed directionality. I put it on my camera, thinking... great, I'll avoid lapel microphones! Unfortunately, it was a complete disappointment. You can hear everything. Background noises, side noises, everything in general. Unless there are settings that I haven't discovered yet. I will come back if necessary, or I hope to read experiences from other owners.
    edit 14-3-2024. It becomes directional when you use it alone with a memory card inserted on top of it!!! If you connect it to the camera, it won't give you the sound it should. It will do what I described above.

    Translated from Greek ·
    • Sound quality
    Did you find this review helpful?
  • thanoszachs2o
    2
    thanoszachs2o

    I bought it for its supposed directionality. I put it on my camera, thinking... great, I'll avoid lapel microphones! Unfortunately, it was a complete disappointment. You can hear everything. Background noises, side noises, everything in general. Unless there are settings that I haven't discovered yet. I will come back if necessary, or I hope to read experiences from other owners.
    edit 14-3-2024. It becomes directional when you use it alone with a memory card inserted on top of it!!! If you connect it to the camera, it won't give you the sound it should. It will do what I described above.

    Translated from Greek ·
    0
  • See all
95,00 €
3,50 € to a Skroutz Point
Boya