Camera Lenses

Sony Full Frame Camera Lens 16-35mm f/2.8 GM Wide Angle Zoom for Sony E Mount Black

Discover the world with wide-angle details.

With the performance of G Master in a wide-angle zoom F2.8 16-35 mm, capture subjects in new creative ways. With every zoom setting and focus distance, this...

Discover the world with wide-angle details.

With the performance of G Master in a wide-angle zoom F2.8 16-35 mm, capture subjects in new creative ways. With every zoom setting and focus distance, this lens offers exceptional resolution across the entire image range, with stunning background bokeh. Lighter and more compact, it is particularly handy for...

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Top specs

  • Usage Landscape Photography, Video Production, Wildlife & Sports
  • See all
2.299,00 €
1726 46
-24%
price drop
1,73€ cashback in Coins 1,73€ cashback in Coins
Delivery Thursday, 24 September
Free shipping cost
Sent from Greece
From KATERELOS 4.8 (37)
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Description

Description

Discover the world with wide-angle details.

With the performance of G Master in a wide-angle zoom F2.8 16-35 mm, capture subjects in new creative ways. With every zoom setting and focus distance, this lens offers exceptional resolution across the entire image range, with stunning background bokeh. Lighter and more compact, it is particularly handy for dynamic shots.

Manufacturer

See full description

Specifications

Specifications

Dimensions

Type
Wide Angle Zoom
Lens Type
Fixed Aperture Zoom
Sensor Type
Full Frame
Maximum Aperture (f)
2.8
Minimum Aperture (f)
22
Filter Diameter
82 mm
Focal Length Range
16 - 35 mm
Weight
680 gr
Mount
Sony E
Colour
Black

Features & Functions

Image Stabilization
No
Autofocus (AF)
Yes
3D
No

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (3)

Reviews

  1. 2
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Weight
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money

Reviews by our members

  • Stelios tsipis
    4
    5 out of 5 members found this review helpful

    The specific lens has been with me for several years, very useful for many different situations.
    Very lightweight so you can always have it with you, at 35 millimeters it focuses very close, almost macro-like, at 16 it has some distortion but not as much as other third-party manufacturers like Tamron 17-28 where at 17 millimeters the edges become like a ball.
    So the gmaster is the sharpest with the least distortion, with incredible color performance and amazing construction, but with double or more the price. If you're not a professional like me, who makes money from it, I think you can get by with a similar lens at a lower price.
    The second version is essentially the same but smaller and lighter with almost 500€ more.
    Beware of vignetting from 16-24+, it has a lot more in intense light where you need a filter, especially above 3 stops, I'm talking about video always. So if you want the 2.8 with a filter above 3 stops, you need a very good quality filter so it doesn't have too much vignetting.
    The barrel, which starts from 35 millimeters and extends to 16mm, doesn't protrude much, which has a positive effect on using a gimbal so you don't need to rebalance the stabilizer every time you change the focal length.
    The 2.8 is quite bright, but not as much if you're used to larger apertures like 1.2, 1.4, 1.8...
    Useful? Necessary, I would say! Expensive? Quite!
    Worth it? Yes, but!

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • nikosmjtzano
    5
    13 out of 13 members found this review helpful

    The best 16-35 that has come out, honestly you understand why they call it gmaster, it is sharp in all mm and has not a single flaw, incredible autofocus, excellent construction, you get what you pay for, I had taken it for a professional trip abroad and it did not disappoint me at all.

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • The specific lens has been with me for several years, very useful for many different situations.
    Very lightweight so you can always have it with you, at 35 millimeters it focuses very close, almost macro-like, at 16 it has some distortion but not as much as other third-party manufacturers like Tamron 17-28 where at 17 millimeters the edges become like a ball.
    So the gmaster is the sharpest with the least distortion, with incredible color performance and amazing construction, but with double or more the price. If you're not a professional like me, who makes money from it, I think you can get by with a similar lens at a lower price.
    The second version is essentially the same but smaller and lighter with almost 500€ more.
    Beware of vignetting from 16-24+, it has a lot more in intense light where you need a filter, especially above 3 stops, I'm talking about video always. So if you want the 2.8 with a filter above 3 stops, you need a very good quality filter so it doesn't have too much vignetting.
    The barrel, which starts from 35 millimeters and extends to 16mm, doesn't protrude much, which has a positive effect on using a gimbal so you don't need to rebalance the stabilizer every time you change the focal length.
    The 2.8 is quite bright, but not as much if you're used to larger apertures like 1.2, 1.4, 1.8...
    Useful? Necessary, I would say! Expensive? Quite!
    Worth it? Yes, but!

    Translated from Greek ·
    5
  • The best 16-35 that has come out, honestly you understand why they call it gmaster, it is sharp in all mm and has not a single flaw, incredible autofocus, excellent construction, you get what you pay for, I had taken it for a professional trip abroad and it did not disappoint me at all.

    Translated from Greek ·
    13
  • 0
  • See all
Questions (1)

Questions

3 users have this product and can help you

Ask for the product
See all questions (1)

Description & Specifications

Discover the world with wide-angle details.

With the performance of G Master in a wide-angle zoom F2.8 16-35 mm, capture subjects in new creative ways. With every zoom setting and focus distance, this lens offers exceptional resolution across the entire image range, with stunning background bokeh. Lighter and more compact, it is particularly handy for dynamic shots.

Manufacturer

Dimensions

Type
Wide Angle Zoom
Lens Type
Fixed Aperture Zoom
Sensor Type
Full Frame
Maximum Aperture (f)
2.8
Minimum Aperture (f)
22
Filter Diameter
82 mm
Focal Length Range
16 - 35 mm
Weight
680 gr
Mount
Sony E
Colour
Black

Features & Functions

Image Stabilization
No
Autofocus (AF)
Yes
3D
No

Usage

Device Group
Landscape Photography, Video Production, Wildlife & Sports

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (3)

  1. 2
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Quiet
  • Weight
  • Construction quality
  • Autofocus (AF) speed
  • Color representation
  • Acidity
  • Value for money

Reviews by our members

  • Stelios tsipis
    4
    5 out of 5 members found this review helpful

    The specific lens has been with me for several years, very useful for many different situations.
    Very lightweight so you can always have it with you, at 35 millimeters it focuses very close, almost macro-like, at 16 it has some distortion but not as much as other third-party manufacturers like Tamron 17-28 where at 17 millimeters the edges become like a ball.
    So the gmaster is the sharpest with the least distortion, with incredible color performance and amazing construction, but with double or more the price. If you're not a professional like me, who makes money from it, I think you can get by with a similar lens at a lower price.
    The second version is essentially the same but smaller and lighter with almost 500€ more.
    Beware of vignetting from 16-24+, it has a lot more in intense light where you need a filter, especially above 3 stops, I'm talking about video always. So if you want the 2.8 with a filter above 3 stops, you need a very good quality filter so it doesn't have too much vignetting.
    The barrel, which starts from 35 millimeters and extends to 16mm, doesn't protrude much, which has a positive effect on using a gimbal so you don't need to rebalance the stabilizer every time you change the focal length.
    The 2.8 is quite bright, but not as much if you're used to larger apertures like 1.2, 1.4, 1.8...
    Useful? Necessary, I would say! Expensive? Quite!
    Worth it? Yes, but!

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • nikosmjtzano
    5
    13 out of 13 members found this review helpful

    The best 16-35 that has come out, honestly you understand why they call it gmaster, it is sharp in all mm and has not a single flaw, incredible autofocus, excellent construction, you get what you pay for, I had taken it for a professional trip abroad and it did not disappoint me at all.

    Translated from Greek ·
    • Quiet
    • Weight
    • Construction quality
    • Autofocus (AF) speed
    • Color representation
    • Acidity
    • Value for money
    Did you find this review helpful?
  • The specific lens has been with me for several years, very useful for many different situations.
    Very lightweight so you can always have it with you, at 35 millimeters it focuses very close, almost macro-like, at 16 it has some distortion but not as much as other third-party manufacturers like Tamron 17-28 where at 17 millimeters the edges become like a ball.
    So the gmaster is the sharpest with the least distortion, with incredible color performance and amazing construction, but with double or more the price. If you're not a professional like me, who makes money from it, I think you can get by with a similar lens at a lower price.
    The second version is essentially the same but smaller and lighter with almost 500€ more.
    Beware of vignetting from 16-24+, it has a lot more in intense light where you need a filter, especially above 3 stops, I'm talking about video always. So if you want the 2.8 with a filter above 3 stops, you need a very good quality filter so it doesn't have too much vignetting.
    The barrel, which starts from 35 millimeters and extends to 16mm, doesn't protrude much, which has a positive effect on using a gimbal so you don't need to rebalance the stabilizer every time you change the focal length.
    The 2.8 is quite bright, but not as much if you're used to larger apertures like 1.2, 1.4, 1.8...
    Useful? Necessary, I would say! Expensive? Quite!
    Worth it? Yes, but!

    Translated from Greek ·
    5
  • The best 16-35 that has come out, honestly you understand why they call it gmaster, it is sharp in all mm and has not a single flaw, incredible autofocus, excellent construction, you get what you pay for, I had taken it for a professional trip abroad and it did not disappoint me at all.

    Translated from Greek ·
    13
  • 0
  • See all
1.726,46 €
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